This morning the 10 projects selected for the 2013 IFP Documentary Labs were announced. All are works by first-time directors and have budgets of less than $1 million, and filmmakers are provided with an immersive mentorship experience to guide them through post-production and looking ahead to the festival circuit and beyond. The films selected include Sara Dosa’s doc on mushroom hunters, Roots and Webs, produced by Court 13’s Josh Penn, and David Thorpe’s Do I Sound Gay, which has How to Survive a Plague‘s Howard Gertler on board as producer. Spike Lee is the executive producer on Darius Clark Monroe’s Evolution of a […]
by Nick Dawson on May 13, 2013I dropped in on the IFP Documentary Labs a couple of times, and one of the highlights for me was the “Web Tools for Documentary” workshop run by guest speaker Gary Hustwit, a filmmaker who used the web to great effect in the production and self-distribution of his “Design trilogy” of Helvetica, Objectified and Urbanized. Hustwit, who worked in publishing and distribution before he moved behind the camera, really knows this stuff inside out – and considers his engagement with the web an integral part of what he does now. “I think of all this stuff as filmmaking – […]
by Nick Dawson on May 29, 2012This morning, the Independent Filmmaker Project (IFP) announced the 10 films selected to participate in its 2012 IFP Documentary Lab, which takes place all this week in New York City. The slate for this eighth edition of the doc labs is very geographically diverse, with participants hailing from Washington, Kentucky and Berlin in addition to the usual indie strongholds of Los Angeles and New York City. Each year, 20 indie films with budgets under $1 million — 10 documentary and 10 narrative — are selected for participation in the IFP post-production labs, which gives filmmakers strategic help and guidance regarding […]
by Nick Dawson on May 14, 2012Are audiences ready to spend 85 minutes immersed in the lives of conservative Muslim women in Syria? That’s the big question this week. 17 meetings in, and a box of band-aids later and we think things are going well. So far we’ve met with POV, HBO, Impact partners, Sundance, SXSW, foreign co-producers, other funders, and a few sales agents. People seem interested, and often enthusiastic. Everyone wants to see the rough cut. And as soon as we think it’s ready to show them we will. We were hoping more broadcasters would have come from Europe, since we met with many […]
by Laura Nix on Sep 26, 2011The following post was written on my way to IFP Film Week, which ends today. Are audiences ready to spend 85 minutes immersed in the lives of conservative Muslim women in Syria? That’s the big question this week. Many delays at LAX today. But there’s no comparing our airport to the one in Damascus. Here, people are shuffling on board the airplane with Starbucks in one hand, Burger King in the other, arguing the finer points of how to get an upgrade. In Damascus, people are stuffing every last inch of their luggage with dates, nuts, and Syrian chocolate, hugging relatives […]
by Laura Nix on Sep 22, 2011The IFP Narrative Lab launches its online application today. From the website: IFP’s Independent Filmmaker Labs is the only program in the world currently supporting first-time feature directors in post-production to complete, market and distribute their films. Focusing exclusively on low-budget features ( Through the Labs, IFP works to ensure that talented emerging voices receive the support, resources, and industry exposure necessary to reach audiences. The Lab is really an excellent program that provides a wealth of intensive mentorship having to do with all the aspects of filmmaker that follow production. Recent Lab films include such Sundance selections as Pariah, […]
by Scott Macaulay on Feb 15, 2011