Payment models in the digital film distribution world can be surprisingly confusing once you get past the simple straight cut of a Vimeo or iTunes download. Streaming in particular can raise questions. How much should a filmmaker make when his or her film is only viewed partially? Indieflix CEO Scilla Andreen proposes one answer she calls RPM — “royalty pool minutes.” It’s the new artist payment model for her site, and in an interview at Sundance, she argued for its simplicity and clarity. “We take a percentage of the overall monthly revenue coming to Indieflix,” Andreen explains. “We’ve evolved to […]
by Scott Macaulay on Jan 23, 2013“You have no idea what you’ve created, and how many people this will help” I was wrapped in warm embrace with a woman I had just barely met when she whispered this sentence into my ear. We were standing in the lobby of the Egyptian Theater in downtown Boise, Idaho where my film, JENS PULVER | DRIVEN, had just let out after a lengthy and fairly emotional Q&A with me and Jens Pulver, the subject of my film. This surprising interaction was the first of many that night, and one that came as quite a shock to both myself and Pulver. I […]
by Gregorybayne on Apr 4, 2011Gregory Bayne shoots Jens Pulver. Photo courtesy Alex Couey. A short collection of observations from my year of DIY. My name is Gregory Bayne, and in 2010 I stumbled into a full time “DIY” film career without a back up, without a net, and without, in many respects, a clue. And, though over the course of 2010 I ran two successful crowd-funding campaigns (http://bit.ly/drivenks, http://bit.ly/poiks), made a fully fan-funded documentary feature (that people really seem to love), and released, with my collaborator, a narrative feature…I made less than enough money to scrape by, and currently find myself about to start […]
by Gregorybayne on Jan 3, 2011