James Ponsoldt
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Sundance Recommendations: James Ponsoldt
At the 2013 Sundance Film Festival, Filmmaker magazine asked a series of directors to talk about the films they were excited about at this year’s event. Here James Ponsoldt, director of The Spectacular Now, offers his recommendations.
by Nick Dawson on Jan 25, 2013 -
Five Questions with The Spectacular Now Director James Ponsoldt
James Ponsoldt is no stranger to the Sundance Film Festival. His last two feature films, Smashed and Off the Black, both premiered in Park City, with Smashed winning a Special Jury Prize in 2012. The Spectacular Now, Ponsoldt’s third film, premieres today. Working from the novel by Tim Tharp of the same name, (500) Days of Summer‘s screenwriters Scott Neustadter and Michael H. Weber adapted the story about a popular high school boy with an emerging drinking problem who finds himself drawn to a girl of a lesser social status. Miles Teller (Project X) and Shailene Woodley (The Descendants) star […]
by Alexandra Byer on Jan 18, 2013 -
The Spectacular Now | Director James Ponsoldt
[PREMIERE SCREENING: Friday, Jan. 18, 8:30pm — Library Center Theatre, Park City] This past summer, I traveled to my hometown of Athens, Georgia, and shot a movie in the neighborhoods and streets of my childhood. Our film’s production office was the recently vacated office of Athens’ local heroes, R.E.M. On weekends the cast and crew partied in local bars and rock clubs (the Manhattan, the 40 Watt Club, the Georgia Theatre). I saw my parents all the time. It was a dream — a second childhood, balmy and green, somehow better than the first. I was so, so lucky. But […]
by Filmmaker Staff on Jan 17, 2013 -
James Ponsoldt, Smashed
Kate Hannah (Mary Elizabeth Winstead) is a devoted elementary school teacher who, early in James Ponsoldt’s new film Smashed, shows up for work with a wicked hangover and vomits in front of her students. Forced to explain her behavior, she tells her class and colleagues that she’s pregnant. The lie leaves her feeling awful, and it’s soon clear to Kate that she needs to back away from the bottle. After all, this isn’t a one-off incident. She and her husband Charlie (Aaron Paul) are almost constantly drunk, and it’s pretty clear to her that they live for booze as much […]
by Kevin Canfield on Oct 10, 2012 -
IN PRODUCTION: “PROXY,” “THE BUTLER,” “SOMEONE MARRY BARRY” and “THE SPECTACULAR NOW”
“In Production” is a regular column which focuses on notable independent films that are currently shooting. Shooting from mid-July in Eastern Indiana, Scalene director Zack Parker’s Proxy is a suspense thriller about Esther (Alexia Rasmussen), a pregnant woman who joins a support group after being attacked one night and strikes up a dysfunctional relationship with a fellow victim (Alexa Havins). Parker’s last feature Scalene, which is set for release on Blu-ray, DVD and VOD on July 31st, received glowing reviews for its clever use of the fractured narrative – potentially one of the most over-used cinematic devices of the past three decades. Parker has […]
by Byron Camacho on Jul 30, 2012 -
MUSICIANS AND FRIENDS IN THE SNOW: SUNDANCE SNAPS
Here outside Zoom following BMI’s annual seat-switching dinner are elusive rock icon Rodriguez and Malik Bendjelloul, the director of his doc, Searching for Sugar Man. At the dinner, I asked Bendjellaul whether he was a fan of Rodrgiuez’s before the film. No, he said. He was looking for a story and hear about the Rodriguez saga from a private detective. The film was acquired at Sundance by Sony Pictures Classics. Left behind after the Sundance premiere of Exit to the Gift Shop was this Banksy artwork, nicely framed by the good folks in Park City. Caught checking out the artwork […]
by Scott Macaulay on Jan 26, 2012 -
MORE THOUGHTS ON WALKING OUT OF MOVIES
Every Thursday we do a weekly newsletter that includes links to that week’s content, festival deadlines, and an original letter from me which I usually don’t repost on the blog. (And if you don’t get this newsletter, why not? You can subscribe here. It’s free.) But I’ll reprint this week’s because it’s a response to James Ponsoldt’s blog post about walking out of movies. “When is it okay to walk out of a movie?” James Ponsoldt asked on the Filmmaker blog yesterday. The post was inspired by his sitting through at Sundance a film he loathed; it was his attempt […]
by Scott Macaulay on Feb 10, 2011 -
When Is It Okay To Walk Out Of A Movie ?
Sundance is over. Ditto, Rotterdam. With Berlin right around the corner, it seems a good time to ask the question: When is it okay to walk out of a movie? I saw over 25 features at Sundance this year. Many of those films will receive serious releases in 2011 and wind up on “Best of” lists at the year’s end. Some of my favorites are still seeking distribution. I interviewed directors of a number of films. Of the features I haven’t already written about, personal favorites include Pariah, Terri, Catechism Cataclysm, The Mill and the Cross, Hell and Back Again, […]
by James Ponsoldt on Feb 9, 2011 -
Pioneer Director David Lowery
To create a feature with a genuine sense of mystery pulsing beneath the filmed veneer is a rare accomplishment, but to achieve that in a short film? Next to impossible. However, Pioneer — David Lowery’s tender, moody short — is an absolute cryptogram. Little more than a father (well-played by musician/actor Will Oldham) telling a tall and violent tale about an absent mother to his young son, Pioneer manages to stay within the confines of a bedroom yet utterly transports the audience to the high altitudes of childhood imagination. Lowery’s facility to direct children was on fine display with his […]
by James Ponsoldt on Jan 28, 2011 -
“HERE” DIRECTOR BRADEN KING
Known for his stunning 1998 documentary, Dutch Harbor: Where the Sea Breaks Its Back, as well as countless music videos for musicians including Bonnie “Prince” Billy, Sonic Youth, and Dirty Three, director Braden King arrives at Sundance in Dramatic Competition with HERE. Set in Armenia — and in many ways starring Armenia — HERE is a love story camouflaged as a road movie, or perhaps it’s the other way around. The atmospheric film follows Gadarine and Will (played by Lubna Azabal and Ben Foster), an Armenian art photographer and an American satellite-mapping engineer, from the exact moment they notice each […]
by James Ponsoldt on Jan 28, 2011
