One should always be wary of tossing the term “masterpiece” around when talking about any cultural object, especially in the cinema, this enfant artform, which feels as if it may have exhausted its formal and rhetorical possibilities much too soon. The hothouse conditions of film festivals are especially bad places to get all ebullient with praise, as well do all over again next month in Utah, the following month in Germany, Texas the one after that. Best to take one’s time, reflect on what has been seen and heard, what its possible meanings and difficulties and structuring absences are, on […]
by Brandon Harris on Dec 16, 2011Quintessential Sundance experience: I arrived in Park City earlier today. Got my badge. Went to The Troll Hunter because, well, I like monster movies. And trolls? I love trolls! The Troll Hunter is kind of like Troll 2, except with, you know – good special effects, decent actors, a coherent story…that being said, I’m a die-hard Troll 2 fan and will continue to sing its praises. But I digress. After The Troll Hunter, I saw a film that will probably go down as the worst of the festival. Tons of walkouts. Awkward laughter. Not really a “so-bad-it’s-good” movie. Just awful. […]
by James Ponsoldt on Jan 25, 2011Legend has it when John Ford read the short story that would be the inspiration behind his first Western with sound, he immediately took it to his boss David O. Selznick, who, just as quickly as it was pitched to him, tossed it aside as a forgettable picture. Lucky for us, Ford didn’t move on. He dug into his own pocket, made the film himself (and later sold it to United Artists), packed up the production and went out to Utah’s picturesque Monument Valley (which would be the site for many of his Westerns to come) — far from the […]
by Jason Guerrasio on May 25, 2010