Julia Hart

What 12 Real Female Filmmakers Wear to Set

Do women filmmakers need to wear certain clothes on set to be taken seriously? Is a female filmmaker’s wardrobe the real secret to success? When Refinery 29 recently posted a story, “How to Dress for the Job You Want” including “film director,” they inadvertently irked a number of actual female directors and producers with their career outfit suggestions. “You’ll likely be on your feet for long days on set, but still don’t want to look sloppy, so opt for a thick ‘grandma’-style heel that can last you the whole day through, along with some soft trousers and a stylish take on the […]
by Paula Bernstein on Oct 4, 2016
Five Questions for Miss Stevens Writer/Director Julia Hart

We’ve seen our fair share of films about teacher-student relationships, but they tend to fall into either the titillating or inspirational categories. Miss Stevens is neither. It’s a quiet drama which is powerful in its subtlety. The plot itself is understated, but the execution is surprisingly compelling. The set-up involves Rachel Stevens (Lily Rabe), a lonely high school teacher who reluctantly chaperones three teens – including the troubled and charismatic Billy (Timothee Chalamet) – to a drama competition. In her directorial debut, Julia Hart, who co-wrote the film with her husband Jordan Horowitz, exhibits an aptitude for working with actors. Rabe won the Best Actress […]
by Paula Bernstein on Sep 27, 2016
“Time, and How to Manage It”: Miss Stevens DP Sebastian Winterø

Building on eight years of pedagogical experience, Julia Hart’s debut feature Miss Stevens tracks a troubled teacher (Lily Rabe) and three of her high school students as they attend a statewide acting competition. Victory means possibly forestalling the closing of their cash-strapped school’s fine arts division, but Hart focuses equally on the complicated relationship between the teacher and her charges. Here, DP Sebastian Winterø (who recently shot Sia’s “Umbrella” video) discusses the importance of making sure the director has enough time, being fascinated by California’s light as a European, and how much work should be done for the DI. Filmmaker: How and why […]
by Scott Macaulay on Mar 15, 2016

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