karyn kusama
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Girlblogging: Jennifer’s Body
As a girl—I mean, when I was younger—I would watch films about beautiful girls in the hope that I could somehow learn beauty, the fairytale story; that, by proximity, beauty would rub off on me; that I could contour myself in its image, or put it on. I was irrevocably convinced that beauty would save my life. Beautiful girls live life on easy mode. People give you whatever you want when you’re a beautiful girl. This is sort of true, but nothing in life is free. In return, what they demand is you. Jennifer’s Body is a film about best […]
by Matilda Lin Berke on Jul 11, 2023 -
Destroyer DP Julie Kirkwood on Working with Karyn Kusama, Nicole Kidman and the Blinding L.A. Sun
A gritty crime story set in Los Angeles, Destroyer finds Nicole Kidman in an unexpected role as Erin Bell, a cop at the end of her rope. Directed by Karyn Kusama, the movie was shot by Julie Kirkwood (Hello, I Must Be Going; I Am the Pretty Thing that Lives in the House). During a whirlwind visit to Camerimage, Kirkwood took time out to discuss with Filmmaker how to shoot action and violence, how to cram 38 locations into 33 shooting days, and how to make a glamorous Oscar-winner look as dissolute as possible. Filmmaker: Why did you decide to […]
by Daniel Eagan on Dec 25, 2018 -
“I’m Just Not Interested in Polite Entertainment”: Destroyer Director Karyn Kusama on Damaged Characters, Genre and the Challenge of Studio Filmmaking
“I’m just not interested in polite entertainment. I’m just not interested in pleasing the most number of people by checking of a bunch of boxes and being, frankly, highly, highly attuned to some concept of cultural correctness.” Director Karyn Kusama sat down with Filmmaker in New York City ahead of the release of her latest crime thriller Destroyer, written by Kusama’s husband Phil Hay and writing partner Matt Mandfredi. When asked about how we can build audiences for genre and indie films, she was passionate about the importance of carving one’s own path as both a creator and as an […]
by Meredith Alloway on Dec 24, 2018 -
I See a Darkness: Karyn Kusama on Making Nicole Kidman Wild in Destroyer
Ever since her auspicious debut with Girlfight in 2000, director Karyn Kusama has been drawn to stories about flawed, driven protagonists, but she’s never had a heroine as forceful or complex as Erin Bell, the LAPD detective played by Nicole Kidman in Destroyer. Bell is a onetime undercover cop whose experience infiltrating a gang of thieves went horribly wrong, and who lives in a constant state of regret, resentment and rage — a volatile combination when the murder of one of her former associates opens up old wounds. The expertly constructed script, by Kusama’s frequent collaborators Phil Hay and Matt […]
by Jim Hemphill on Dec 17, 2018 -
Wonder Women Directors at the 21st SCAD Savannah Film Festival
The 21st SCAD Savannah Film Festival (October 27 – November 3) featured a strikingly eclectic abundance of Specialty Series discussions and workshops this year. There was “In Conversation” (one with Barry Jenkins, another with Armie Hammer), a three-part Below the Line Panel Series (Casting, Costume Design and Production Design), and Animation Corner: Art in Motion. There was also the TV Sidebar (Starz’s Outlander was the focus, with creators and cast from the show in town — even a costume exhibit at the SCAD Museum of Art), and a Writers Guild of America-affiliated program (Writers on Writing: The Front Runner featured […]
by Lauren Wissot on Nov 6, 2018 -
‘We Know You, But You Guys Don’t Know Us’: Female Filmmakers Talk Diversity And Inclusivity At IFP Week
Gender and inclusivity are two key buzzwords floating about the film world these days, but how are these ideas being implemented? Are they being implemented? And are these issues always binary, black and white? Talking to filmmakers who aren’t Caucasian, male and/or cis, you don’t get clear-cut answers. You don’t always get encouraging answers, though you sometimes do. One gets the impression that this is an industry struggling with ideas that may change it radically, and that some people — even well-meaning allies — are still glomming onto old traditions. These issues were confronted directly during IFP Week, particularly at the […]
by Matt Prigge on Sep 19, 2018 -
“Hiring All Women Isn’t a Gimmick; It’s Progress”: Director Jovanka Vuckovic | XX
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? Bela Lugosi once famously said, “It is women who love horror. Gloat over it. Feed on it. Are nourished by it. Shudder and cling and cry out — and come back for more.” He was as right then as he is now. Women love horror. And yet here we are in 2017, and even though more than half of all horror film ticket buyers are women, people […]
by Filmmaker Staff on Jan 22, 2017 -
“Framing is its Own Dark Art”: Karyn Kusama on The Invitation
Karyn Kusama’s The Invitation achieves the kind of cinematic alchemy one finds in Blood Simple or the best of Hitchcock, where genre meets philosophy and character to yield something both razor-sharp in its clarity and infinitely complex in its provocations. The script by Phil Hay and Matt Manfredi follows a group of friends over the course of one night when they reunite after a tragedy that has affected all of their lives. The intentions of the hostess, Eden (Tammy Blanchard), are mysterious and only grow increasingly troubling as the night progresses, at least as far as her ex-husband Will (Logan […]
by Jim Hemphill on Mar 17, 2016 -
KARYN KUSAMA’S “JENNIFER’S BODY” By Scott Macaulay
Here’s the way it used to be. You made an edgy, well-received independent film, one that showed your facility to tell a story and work with actors, and the smart Hollywood scripts — quality writing that required the touch of someone outside the system — would arrive in those expensively-printed agency binders. And that’s the way it seemed to be playing out for Karyn Kusama, who made an excellent debut with her gritty, low-budget Girlfight, a female boxing movie that launched the movie career of Michelle Rodriguez. But then a couple of things happened. First, her follow-up, Aeon Flux, was […]
by Scott Macaulay on Sep 9, 2009
