From Annapurna comes this first trailer for Kathryn Bigelow’s feature follow-up to Zero Dark 30, Detroit. Shot by her The Hurt Locker DP Barry Ackroyd, it’s got an amazing look and Bigelow’s customary immersive, thrilling vibe as it recreates the summer of 1967 when riots rocked the Michigan city. It’s due out in August.
by Scott Macaulay on Apr 12, 2017When I started working in film in 1995, there weren’t many women in the business overall, and women directors were almost unheard of. Twenty years later, I’m still here, but, despite gains in a variety of other fields from pharmacy to law, women directors are not getting any more work than they did when I was starting out. During the last several months we have enjoyed what you might call a consciousness-raising moment in show business, with a variety of folks sounding the alarm all over social media about Hollywood’s sustained resistance to bringing in new faces. (For example, check […]
by Katy Chevigny on Feb 17, 2016Written by Steven Soderbergh’s frequent collaborator Scott Z. Burns and directed by Kathryn Bigelow, Last Days is a grimly succinct argument against buying materials made out of ivory and other products from endangered species. Trafficking in endangered species is the fourth largest illegal business in the world, behind drugs, weapons and human trafficking, and the short links their sale directly to last year’s Al Shabaab attack on Nairobi’s Westgate Mall. There’s disturbing footage of the mass shooting included and bloody animation of elephant slaughter as well, so brace yourself. The short film’s official site is here.
by Vadim Rizov on Dec 8, 2014I saw Zero Dark Thirty twice. The first time, the auditorium was nearly full. The second, about a week later, there were only two other people. But both times, the auditorium felt empty, as if, in commanding the attention of its viewers, the film left no room for thought. Whether Zero Dark Thirty endorses torture or not has been much discussed elsewhere, and that discussion and debate has, in its own way, framed the very way we think about the movie. And yet there is another form of torture depicted in the film and that is the torture perpetrated by […]
by Nicholas Rombes on Jan 29, 2013There’s really not a lot of actual footage or dialogue in this teaser trailer for director Kathryn Bigelow and writer Mark Boal’s follow-up to their Best Picture Academy Award-winning The Hurt Locker — instead what we have here is suggestive, and very much style over content. The film about the hunt for Osama Bin Laden — which comes out on December 19 — is not set to play fall fests and is still in postproduction, and it seems from this teaser that Columbia Pictures wants to keep as much of the material under wraps as possible, at least for now. […]
by Nick Dawson on Aug 6, 2012Cinematographer Barry Ackroyd has shot almost 50 features with numerous directors, but when it comes time to discuss his work on Kathryn Bigelow’s The Hurt Locker, his collaborations with two other helmers need to be referenced. The first is Ken Loach, the director Ackroyd is most associated with. The Manchester, England-born d.p. has shot many of Loach’s films, including Raining Stones, Ladybird Ladybird, Land and Freedom, the Palme d’Or-winning The Wind That Shakes the Barley, and his upcoming Looking for Eric. In these films he developed an unadorned, naturalistic camera and lighting style that gave them an almost doc-like verisimilitude. […]
by Scott Macaulay on Nov 14, 2011When I put together the clips for the “Young Person’s Guide to Kathryn Bigelow,” post below, there is one thing I left out. While scanning through her clips I did come across this music video for New Order’s “Touched by the Hand of God.” I don’t think I had ever seen it before, and I’ll confess that I initially stared at it trying to figure out if it was conceptual parody or whether New Order had had a mid-’80s hair-metal band image makeover I had somehow missed. (Correct answer: the former). Gray Miller posted this link below in the comments […]
by Scott Macaulay on Mar 10, 2010A big congratulations to Kathryn Bigelow, Mark Boal, and the team behind The Hurt Locker for their well-deserved Academy Awards tonight. (I’m pretty sure it’s the first Filmmaker mag cover film to ever win Best Picture and Bigelow the first cover director to win Best Director.) For any newcomers to Bigelow out there, here’s a quick history courtesy of YouTube. (Missing, unfortunately, is her 20-minute Columbia University student film The Set-Up. According to the New York Times‘ Manohla Dargis, it portrays “two men […] fighting each other as the semioticians Sylvère Lotringer and Marshall Blonsky deconstruct the images in voice-over.”) […]
by Scott Macaulay on Mar 8, 2010Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Nick Dawson interviewed The Hurt Locker director Kathryn Bigelow for our Spring 2009 issue. The Hurt Locker is nominated for Best Picture, Best Director (Bigelow), Best Actor (Jeremy Renner), Original Screenplay (Mark Boal), Best Cinematography (Barry Ackroyd), Best Editing (Bob Murawski and Chris Innis), Best Original Score (Marco Beltrami and Buck Sanders), Best Sound Editing (Paul N.J. Ottosson) and Best Sound Mixing (Paul N.J. Ottosson and Ray Beckett). Now that the […]
by Jason Guerrasio on Mar 5, 2010