Now on our VOD calendar are titles available for the month of September. Some highlights: You’ve heard about Kevin Smith putting together an auction at Sundance for his latest film, Red State, only to buy it himself and go on a self-distributed nation-wide theatrical roadshow. Well, now you can see what all the fuss is about as it premieres on VOD today. There’s also Richard Press‘ doc Bill Cunningham New York on the iconic New York Times photographer; Andrew Haigh‘s fest favorite, Weekend; and Cameron Crowe‘s doc Pearl Jam Twenty, which gives a candid look at the legendary band. For […]
by Jason Guerrasio on Sep 1, 2011I have been thinking about Kevin Smith quite a bit lately. Beyond the obvious happenings with his film Red State and his decision to follow in my footsteps (wink) by embracing the Topspin platform to go about his business of building a media empire, I’ve been a bit in awe of how this guy from New Jersey, who began his journey with a $27,000 ’90s Sundance hit that many in the artistic film world passed off as garbage, has weathered many a storm, some arguably manufactured, to be quite possibly the last man standing and perhaps most forward thinking in […]
by Gregorybayne on Aug 2, 2011Sorry to all for the week off. A little festival called Sundance was happening, and this column would have been lost in the hustle and bustle. PLUS, I’ve become agoraphobic after editing Orphaned for three weeks straight now. I no longer possess social skills and hygiene. (But the movie looks good so far!) After our second article posted, Blake Eckard contacted me and thought I needed to talk to someone ASAP. It could only be one person, Jon Jost (pictured below). Jon is one of Blake’s favorite film directors and he is a legendary indie filmmaker. It was a no-brainer. […]
by John Yost on Feb 1, 2011[PREMIERE SCREENING: Sunday, Jan. 23, 6:30 pm — Eccles Theatre] When we unmasked the Bog Monster and it turned out to be old man Whithers, we were literally dumbfounded. Why? Because he OWNS the allegedly haunted amusement park. We should’ve seen it.
by Filmmaker Staff on Jan 23, 2011Here is the introduction to a series of posts from filmmaker John Yost on today’s micro-budget filmmaking scene. Check back each week for John’s conversations with various filmmakers debating issues related to the making and distribution of ultra-low-budget movies. — S.M. What is micro-budget filmmaking? What makes a film micro-budget? Is it simply the amount of money spent? Is it the quality of the story, image, and sound? Is it a cliché at this point? Where did it come from? What about the word “indie”? Is “indie” just a buzz word now? Is the sky falling? Are we going to […]
by John Yost on Jan 4, 2011Here’s a little treat for ya on Halloween! Today on Kevin Smith‘s blog, Silent Bob Speaks, the outspoken writer-director put up a teaser poster of his next film, Red State, his first foray into horror. In the past Smith has described the film as being loosely based on religious extremism, and its one he’s talked about making for years. If you follow Smith on Twitter you know he finally found enough money to shoot it over the summer, and according to his blog post, principal photography is now wrapped. Smith on the poster: Moody, weird, and pitch-perfect for the tone […]
by Jason Guerrasio on Oct 31, 2010A year ago, I brought the preview copies of Think Outside the Box Office to sell at Independent Film Week, straight off the press. This week in addition to being a lab leader and mentor of the new IFP Filmmaker Labs, I have the honor of being paired in a Cage Match on Thursday with Michael Tully from Hammer to Nail, and Michelle Satter from the Sundance Labs on the subject: “Am I A Filmmaker or Brand”. I thought I would throw down some thoughts on the subject. I don’t think that “filmmaker” and “brand” are exclusive of one another. […]
by Jon Reiss on Sep 21, 2010Spike Lee was our cover in Winter, 1996, and there were two tie-ins. First, his movie Girl 6 was about to be released. And, second, John Pierson’s Spike, Mike, Slackers and Dykes was just being published. For Filmmaker, Pierson gave us an expanded version of a talk he had with Lee and Kevin Smith that includes this interesting note from Lee. I had forgotten that Lee’s intended first feature was Messenger, an autobiographical tale about a young bicycle messenger. The film collapsed in pre-production when financing was pulled. Kevin: I want to do goofy young filmmaker questions, the kinds of […]
by Scott Macaulay on Aug 15, 2010Summer, 1995. Safe. The Usual Suspects. Kids. Living in Oblivion. Double Happiness. The Brothers McMullen. The Incredibly True Adventure of Two Girls in Love. Art for Teachers of Children. All in the same issue. What a quarter for independent film releases! Julianne Moore from Safe was on the cover, inaugurating our irregular tradition of the big-head cover photo. Larry Gross interviewed Haynes, and it’s a great interview. An excerpt: Gross: Leaving the world of the film for just a second, do you ever feel ambivalent about making a film that’s this pessimistic? Is somebody watching the film gonna say “I […]
by Scott Macaulay on Aug 13, 2010Yesterday on the blog we asked what films inspired young viewers (in their 20s or below) to identify with the independent film movement. Here are responses from filmmaker, critic and Filmmaker Contributing Editor Brandon Harris. Short Cuts (1993) – Saw it on cable TV sometime in 1994. I was too young to understand its significance at the time, but I believe it was the first American Independent film I ever saw. The fact that I watched it all at that age probably explains alot about me. Clerks (1994) & Chasing Amy (1997) – Saw both of these during winter break, […]
by Brandon Harris on Jul 7, 2010