In the 19 years since 9/11, no American director has responded to and examined the causes, impact, and aftermath of that day as rigorously and repeatedly as Steven Spielberg, which is ironic given how rarely his films are actually set in the present day. With a couple notable exceptions, all of Spielberg’s films since 9/11 take place in either the future (Minority Report, Ready Player One) or the past (Munich, Lincoln, Bridge of Spies, etc.). Yet his work couldn’t be more relevant or engaged with contemporary social and political issues; every single one of Spielberg’s post-A.I. movies is as much […]