Kick-Ass is Matthew Vaughn’s canny mainstream imagining of John Romita and Mark Millar’s Marvel Comic about a bunch of psychologically damaged homemade superheroes on self-empowerment rampage. Yes, I felt weird watching 11-year-old Chloe Moretz (she’s 13 now) take part in such violent shootouts. I also queasily admired Vaughn’s seemingly casual but ultimately quite calculated envelope-pushing. There’s some brutish B-movie splatter and the C-word too, but this is not transgressive filmmaking. (Indeed, while watching Kick-Ass I kept wishing I was watching the Takeshi Miike version.) Kinka Usher’s Mystery Men, adapted from Bob Burden’s comic, worked a similar concept over ten years […]