They say that creative works are never really finished, we just let them go at some point. I guess that’s what deadlines are for. The new versions of step outline, budget and schedule for A Case of the Dismals were due a week after we arrived at San Servolo, at 2:00PM. So of course I finished at 1:55. I had also “finished” a couple of hours earlier when I thought the deadline was noon. With a sigh of relief, Mai and I clicked send and off our little package went to the Biennale. We then had about 15 minutes to […]
by Kim Spurlock on Jan 31, 2013So I was thinking Don’t Look Now, but my sis had Scooby Doo on her mind as we drifted through the eerie fog on Venice’s Grand Canal. We were headed towards San Zaccaria, where we would catch a boat for the last leg of our journey to San Servolo island. Mai and I met up in Frankfurt — she from L.A. and I from Brooklyn — to fly together into Venice for the Biennale College Cinema, where we would develop and pitch our feature film A Case of the Dismals. The fog thickened as we boarded the waterbus to the […]
by Kim Spurlock on Jan 29, 2013It’s been nearly two weeks since my participation in IFP’s Emerging Visions Program and now that the dust has settled, I can see clearly how valuable this experience was, not only in a practical sense, i.e., the nuts and bolts of filmmaking, but also in more intangible ways. I was lucky to have the opportunity to participate in the Emerging Narratives and the Emerging Visions Program, back to back, with my feature film script The Whispering Giant. Both IFP programs offer filmmakers a chance to pitch their projects in a “safe” environment, where they can be critiqued by an industry […]
by Kim Spurlock on Oct 18, 2012