Want 87 minutes of something bright and beautiful with a cool kind of “hotness?” Try Kimi, a minimalist thriller in which Steven Soderbergh’s camera and an electric-blue-haired Zoe Kravitz move in sync like two rare birds in flight. Kravitz plays Angela Childs, a data stream analyst for a company behind “KIMI”, a more responsive version of the ALEXA smart audio device, that’s about to go public.  The movie opens with a sleazy-looking guy doing a Zoom presser from his kitchen (COVID remote rules, a sketchy company or both?) explaining that KIMI is better than other devices because its communication skills are […]