Lars von Trier
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Six Asides on Paranormal Activity 2
Paranormal Activity 2 is not an avant-garde film, but only because no one has argued that it is. 1. The Importance of Framing The difference between commercial culture (pop culture) and the avant-garde is a matter of rhetorical framing. Jean-Luc Godard, for instance, created the conditions for the New Wave not only through his films, but through his words about his films, and about cinema in general. Confrontational, witty, manifesto-like, Godard framed the way people saw his films. Godard was an auteur of language, not just cinema. “A movie should have a beginning, a middle, and an end,” he famously […]
by Nicholas Rombes on May 10, 2011 -
TRAILER WATCH: KIRSTEN DUNST IN LARS VON TRIER’S “MELANCHOLIA”
The trailer is both gorgeous and slightly perplexing — and after Mike Cahill’s Another Earth, seems to be continuing a trend of arthouse psychological planet movies. In truth, I can’t wait for this this new, presumably Cannes-bound pic from Lars Von Trier. Melancholia from Zentropa on Vimeo.
by Scott Macaulay on Apr 8, 2011 -
FILMMAKER FLASHBACK: FALL, 1995
A number of cool things about our Fall, 1995 issue. First, the cover portrait of Tim Roth was an original by Nan Goldin, which was a pretty amazing coup for us at the time. Roth was one of the stars of Four Rooms, a now barely-remembered omnibus film all set in a hotel with segments helmed by Quentin Tarantino, Robert Rodriguez, Allison Anders and Alexandre Rockwell. Roth had shaved his head for a part when this photo was taken, so he was kind of unrecognizable, but we were still thrilled to have an original of Nan’s. L.M. Kit Carson did […]
by Scott Macaulay on Aug 14, 2010 -
Nicolas Winding Refn, Valhalla Rising
Valhalla Rising, which stars Mads Mikkelsen (best known for playing the much more suave devil Le Chiffre in Casino Royale) as a one-eyed, mute, enslaved gladiator who joins a group of Viking Christians on a conquest that turns into an existential journey to hell, is certainly not what one would expect from Danish director Nicolas Winding Refn. And that’s part of the beauty of the film. Before this latest atmospheric mood piece containing echoes of Kubrick’s 2001: A Space Odyssey, Refn helmed the hyperkinetic Bronson, about England’s most dangerous criminal turned cult hero who never seemed at a loss for […]
by Lauren Wissot on Jul 14, 2010 -
VON TRIER/SCORSESE/DE NIRO MAY BE PONDERING “TAXI DRIVER” REMAKE
UPDATE 2/16: Screen reports that the remake rumors are just that. The biggest news so far to come out of the Berlin Film Festival is on a film that was made 36 years ago. Spreading all over the blogs, Lars von Trier and Martin Scorsese are supposedly mulling over the idea of remaking Taxi Driver with Robert De Niro to reprise the role of Travis Bickle. In Variety, Gunnar Rehlin reports: The idea behind the project is similar to the film The Five Obstructions that von Trier and Danish helmer Jorgen Leth made in 2003. In that film, von Trier […]
by Jason Guerrasio on Feb 15, 2010 -
Lars Von Trier, The Boss Of It All
JENS ALBINUS AND IBEN HJEJLE IN LARS VON TRIER’S THE BOSS OF IT ALL. COURTESY IFC FIRST TAKE. Lars von Trier, the enfant terrible of world cinema, is always looking for the next thing to surprise or wrongfoot audiences. He made only three features in the first decade of his career, and though The Element of Crime (1984), Epidemic (1987), and Zentropa (1991) were all critical successes that ably demonstrated von Trier’s cinematic gifts, it is since then that he has truly excelled. In this period, not only has he founded the revolutionary Dogme 95 movement, but completed the Gold […]
by Nick Dawson on May 23, 2007 -
REVITALIZED VON TRIER
Adam Dawtry reports in Variety on the latest in artistic gamesmanship from Lars von Trier, who announces a “Statement of Revitality” on the eve of shooting his new film, The Boss of it All. Reacting against various elements of the financing and publicity machine for arthouse cinema, Von Trier has put the last film of his Brechtian America-set Dogville trilogy on hold and is searching, as he did when he created “Dogma 95,” for a new way of working. Here’s his statment: “In conjunction with the departure of Vibeke Windelov, who has been my producer for ten years, and the […]
by Scott Macaulay on Feb 11, 2006 -
DEATH BECOMES THEM
I had no idea that in addition to pictures and profiles of charmingly tattooed and pierced young women who call themselves things like a “full-time artfag film student and part-time superbitch”, the Suicide Girls Web site features regular and rather interesting interviews, many with indie film personalities like Danny Boyle and Campbell Scott. From the current discussion with Chloe Sevigny, who talks about her work with Woody Allen in Melinda and Melinda and Lars von Trier in Dogville and the upcoming Manderlay: “Lars is very personal and he gets in your business and there’s a lot of chit chatting and […]
by Scott Macaulay on Mar 16, 2005
