Laura Moss
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“What ‘Motherhood’ Really Means”: Laura Moss on birth/rebirth
The following interview was originally published during our Sundance 2023 coverage and is being republished today ahead of birth/rebirth hitting theaters via IFC Films and Shudder this weekend. — Editor The narrative kernel of birth/rebirth, Laura Moss’s debut feature, was originally planted in the writer-director’s mind 20 years ago. The filmmaker (and former EMT) was creatively stirred after reading Mary Shelley’s Frankenstein and feeling that its interest in unnatural procreation could translate well to an all-female retelling. As the decades passed, Moss began negotiating integral facets of their identity—namely coming out as non-binary and becoming increasingly convinced they would never have […]
by Natalia Keogan on Aug 18, 2023 -
Trailer Watch: Laura Moss’s birth/rebirth
The trailer arrives for birth/rebirth, the feature debut of writer-director Laura Moss, a 25 New Faces alum from 2017. Co-written by Moss and their longtime screenwriting partner Brendan O’Brien, the film is essentially a modern-day take on Mary Shelly’s Frankenstein, examining the biological urge to create life (whether through scientific exploits or human procreation) and the true meaning of “motherhood.” In my interview with Moss out of this year’s Sundance, I provide a general rundown of the film’s plot: The film follows Dr. Rose Casper (Marin Ireland), a brilliant pathologist lacking in basic social skills. Human connection doesn’t interest her […]
by Natalia Keogan on Jul 13, 2023 -
“We Had To Have All Hands on Deck To Finish the Film in Time for the Festival” | Laura Moss, birth/rebirth
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? Getting into Sundance was tremendously exciting, but we had to have all hands on deck to finish the film in time for the festival. We wrapped principal photography in New Jersey in September, and once we got accepted into Sundance, learned we had to turn in our print on January 13th. With so many holidays falling in that time period, our […]
by Filmmaker Staff on Jan 20, 2023 -
Optimal Value
What’s the main reason to go to film school? You could say to broaden the mind, to learn about cinema history, to meet future collaborators. Those are all true, but at base, the chief reason is to learn a skill. Ideally, you exit your program (whether it’s undergrad or graduate) ready to enter the industry. Perhaps you won’t be doing what you expected when you first applied, but you also don’t want to emerge with no idea what’s next. That said, film school can be tough. There are countless ways to do it, and it can be hard to focus and […]
by Matt Prigge on Jun 19, 2019 -
On Decks: The Art (and Necessity) of the Independent Film Lookbook
Lookbooks are an increasingly vital part of the filmmaking process. A good lookbook can make a pitch, just as a bad one can dissuade an investor, producer or financier from a project. Yet the creation of lookbooks is rarely discussed. The topic is missing from the many labs and tutorial programs set up to help first-time filmmakers—even though a good lookbook is perhaps the quickest way for a project to stand out. Simply put, refined visual knowledge and the skillful conveying of that knowledge is power for a director. When we interviewed Reed Morano last year about her work on […]
by Meredith Alloway on Mar 14, 2019 -
From NYU to Cannes: Egyptian Filmmakers A.B. Shawky and Dina Emam on Their Debut Feature, the Competition Title Yomeddine
Egyptian writer/director Abu Bakr (A.B.) Shawky and his filmmaking and real-life partner Egyptian producer Dina Emam made an impact weeks before their first feature, Yomeddine, even screened in Cannes. Theirs is the rare first-time feature to screen in what is most certainly the most prestigious launchpad for any movie: the festival’s Main Competition. Meaning “Day of Judgment” in Arabic, the film centers around a man with leprosy (Rady Gamal, “Beshay”) who goes in search of his family across Egypt with all of his possessions loaded on a donkey. Together with a young orphaned boy (Ahmed Abdelhafiz, “Obama”), the two fend […]
by Tiffany Pritchard on May 12, 2018 -
Watch: Laura Moss’s Fry Day
New York-based director and production designer Laura Moss landed on Filmmaker’s 25 New Face list this past year on the strength of Fry Day, her entirely exemplary short film about a teenage girl selling Polaroid photos on the eve of serial killer Ted Bundy’s execution. With this macabre event as a backdrop, Moss goes on to create, as I wrote in the profile, “a nail-bitingly tense, mournfully sad coming-of-age adventure.” I went on to write: That Fry Day uses the disquieting atmospherics and moral turbulence of the serial killer genre without indulging in gratuitous physical violence is a testament to […]
by Scott Macaulay on Apr 30, 2018 -
Eight Shorts From SXSW 2017
As the 2017 edition of SXSW comes to a close, here’s a list of eight short films I saw that are worthy of your attention. There’s no clear throughline apparent here: documentary work investigating the infected water supply of the DC water crisis, midnight selections featuring mannequin heads that come to life to suck face, and miscellaneous narrative shorts that cover everything from the ending of a romantic relationship to a bond formed during an impending school shooting. Many will continue to screen on the festival circuit throughout the year, and some will be made readily available online before you know it. […]
by Erik Luers on Mar 20, 2017
