Lily Rabe is probably best know for inhabiting a half-dozen characters over many seasons on Ryan Murphy’s hugely popular American Horror Story series, and recently her supporting performance in The Undoing had a lot of people talking, but in New York City, she’s theater royalty. I pinpoint my first encounter with her greatness. It was as Portia in The Merchant of Venice for Shakespeare in the Park. The court scene. She details the lengths director Daniel Sullivan went to avoid rehearsing that scene, and the miraculous occurrence when they finally did. She talks about being an “over-packer” when it comes […]
by Peter Rinaldi on Mar 23, 2021Building on eight years of pedagogical experience, Julia Hart’s debut feature Miss Stevens tracks a troubled teacher (Lily Rabe) and three of her high school students as they attend a statewide acting competition. Victory means possibly forestalling the closing of their cash-strapped school’s fine arts division, but Hart focuses equally on the complicated relationship between the teacher and her charges. Here, DP Sebastian Winterø (who recently shot Sia’s “Umbrella” video) discusses the importance of making sure the director has enough time, being fascinated by California’s light as a European, and how much work should be done for the DI. Filmmaker: How and why […]
by Scott Macaulay on Mar 15, 2016Movie lovers with a prolonged case of the Munchies could soon be sated. Indie-pure director Christopher Munch is back, in fine form, with his latest film, Letters From the Big Man. Munch imbues his works with a distinct nostalgic longing. The Germans have a precise word for it: Sehnsucht. He explores that chaotic region where two forms of desire butt up against each other: the wish for a more perfect world, for one, usually depicted as majestic nature and whatever beauty man might have put into it (the old, deserted railroad in Color of a Brisk and Leaping Day) — […]
by Howard Feinstein on Nov 7, 2011