Lingua Franca
-
In Opposition to “A Very Particular Mode of Transness”: Isabel Sandoval On Lingua Franca
The struggles of outer borough working class folks is nothing new to NYC-set dramas. But, in the outsider eyes and busy hands of director/writer/producer/editor/actress Isabel Sandoval, one of the newest auteurs of Filipino cinema—who makes her English-language debut in her adopted city with her third narrative feature Lingua Franca—classic tropes are updated to reflect our current intersectional reality. The Venice International Film Festival 2019-premiering movie follows live-in caregiver Olivia (Sandoval), who, in the course of looking after an elderly Russian resident of Brighton Beach (Lynn Cohen), becomes romantically entwined with the woman’s ne’er-do-well grandson Alex (Eamon Farren), who labors under […]
by Lauren Wissot on Aug 27, 2020 -
Beast Beast, Lingua Franca Take Prizes at U.S. in Progress Paris
Beast Beast, the first feature from Danny Madden, took the top prize at U.S. in Progress Paris on Friday. In a statement, the jury (of which I was a member), wrote of the multi-strand story, “The film is a successful attempt to capture the present teenage generation. The director approaches his protagonists with empathy and understanding. The film has a strong political (gun control in particular) and social aspect while remaining an entertaining and creative piece of work.” Beast Beast is produced by Vanishing Angle (Matt Miller, Tara Ansley, and Benjamin Wiessner), and Alec Baldwin is an executive producer. A […]
by Scott Macaulay on Jun 23, 2019 -
My IFP Film Week Experience Part 3: The Dust Settles
By the sound of it, “languish, from the Latin “languere,” meaning loose or lax, is sexy. It’s old-timey yet coolly sexy: Monica Vitti staring down giant waves in an Antonioni film. Except when used to describe a feature or series in development, that is, when it becomes trouble. Past the giddy rendezvous of filmmakers and industry types at the 2016 IFP Film Week, “languish” is a dirty dirty word no one would touch with a 10-foot boom pole. As participants head back to the trenches and roll up their sleeves, we wonder: will the new connections lead to a walk […]
by Isabel Sandoval on Sep 27, 2016 -
My IFP Film Week Experience, Part 2: The Pitch Perfect(ed)
Read Part One of Isabel Sandoval’s IFP Film Week Diary, “The Female Gaze, Anyone?”, here. Forget Project Greenlight. If anyone wants to do a reality series based on the No Borders pitch meetings, it would be a more grizzled Swingers meets The Hunger Games — but with lookbooks subbing for bows and arrows. The thing is, I’m sure somebody actually used that logline for their own project. The proceedings have a jovially survivalist element to them. While my No Borders project Lingua Franca is my third feature, it’s my first U.S. production so Film Week doubles as Indie Film Financing […]
by Isabel Sandoval on Sep 23, 2016
