It’s impossible not to glamorize Los Angeles. Or at least this is how I feel every time I visit. The towering palms, seaside breeze, and temperate weather make everything easy to romanticize. This is an impulse that New Yorkers don’t regularly succumb to, what with incessant mass transit delays, post-blizzard poop pile-ups (we can only hope that these dumps were produced by dogs), and whatever environmental ill has been causing the wind to manifest as a city-wide vortex. After experiencing one of the harshest winters in recent memory, donning a light jacket and mini skirt to attend LAFM’s opening night […]
by Natalia Keogan on Apr 29, 2026
Mike De Leon made his Cannes debut in ‘82 when he premiered two films at Directors’ Fortnight in the same year—Kisapmata and Batch 81—becoming only the second filmmaker to do so at the time. Wim Wenders asked De Leon and certain filmmakers present at the festival that year to answer pre-written questions about the future of cinema in the span of a 16mm reel (around 11 minutes) for his documentary Room 666. Godard and Antonioni filled the time and could probably go on; the others, like Spielberg, Siedelman and Fassbinder, talked for several minutes. But De Leon’s segment lasted under […]
by A.E. Hunt on Dec 17, 2020