As with all of Penny Lane’s films, Listening to Kenny G, the idiosyncratic auteur’s TIFF-premiering, DOC NYC-opening, exploration of the beloved/reviled “smooth jazz” saxophonist and his globally ubiquitous sound (to this day “Going Home” signals closing time throughout China) turns a straightforward subject into an unexpected philosophical inquiry. In this case, Lane begins her journey down the G-hole with a simple question: Why does the bestselling instrumentalist of all time, our most famous living jazz musician, “make certain people really angry”? Using interviews with G as well as elite jazz critics and academics as well as archival footage, Lane arrives […]
by Lauren Wissot on Dec 2, 2021Nothing quite conjures good storytelling like a campfire (and maybe a bottle of whiskey to pass around). This knowledge is not lost on the Camden International Film Festival. Among its many strengths, which have carried the autumnal non-fiction showcase into its 17th year, is its homegrown conviviality and collegial informality. The vibe of “just a bunch of doc people sittin’ around talkin’” survives even a second year of pandemic-necessitated precautions and mixed “real life” and virtual screenings. At the end of Penny Lane’s stimulating and slyly hilarious Listening to Kenny G., the online screening of the movie segues into just […]
by Steve Dollar on Oct 14, 2021