Dos Estaciones pulls equally from documentary and fictional aesthetics to tell its story of a tequila factory in the highlands of Jalisco. It devotes time not just to its protagonist, but also to the process of making tequila, the landscape and other inhabitants. Editor Lívia Serpa recounts how the edit was always based on the material at hand rather than the script and the emphasis on the overarching structure of the film. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? […]