The penultimate episode of Louis CK’s independent television series Horace and Pete, self-released via the comedian’s website over the past ten weeks, ends with a quote from the late Garry Shandling: “The world is too noisy and distracted to probably ultimately survive. Everyone needs to shut the fuck up. The answers are in the silence. Monks set themselves on fire to protest and to make this point. Just consider it.” Watching the episode upon its release, this quote gave me chills. And not just because it was a haunting encapsulation of CK’s narrative ambitions with Horace and Pete — a […]
by Jane Schoenbrun on Apr 6, 2016James Swirsky & Lisanne Pajot are the directors, producers and distributors of the Sundance award-winning feature documentary, Indie Game: The Movie. Before we began production on Indie Game: The Movie, we saw Louis C.K. perform in our hometown of Winnipeg, Canada. It was a great show. He was hilarious, and we walked away cemented in the idea that Louis C.K. is one of the funniest people on the planet. Creatively, it’s hard not to be inspired by someone performing at the top of his or her field. However, little did we know, two years later, Louis C.K. would be inspiring […]
by Lisanne Pajot and James Swirsky on Jan 17, 2013As one of Filmmaker‘s “Best of 2011” posts, Dan Schoenbrun hailed Louie as one of the year’s best TV shows. And now, as the year closes, the comedian has launched one of the year’s best DIY distribution and marketing efforts. As John Biggs wrote at Techcrunch, Louis CK is offering his Live at the Beacon Theater concert film for $5 as a DRM-free download or stream. And while the Hollywood studios are currently fighting piracy by borrowing a page from the firewalls of authoritarian regimes (see the SOPA legislation currently before Congress), C.K. is taking a more human approach. He […]
by Scott Macaulay on Dec 13, 2011[PREMIERE SCREENING: Tuesday, Jan. 26, 5:30 pm — Library Center Theatre, Park City] The hardest decision was the location. I had to choose between Boston, Milwaukee, Cleveland and Minneapolis. The criteria was that I needed a theater that I could sell out twice in order to shoot two performances. Those were the cities where I was selling tickets the fastest. Minneapolis has great crowds but the theater is white and kind of sterile and the audience is separated from the stage. Cleveland is great but the show I had booked there was a little too late in the year. I […]
by Jason Guerrasio on Jan 26, 2010