mads brugger
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DOC NYC 2021: The Mole, Life of Crime 1984-2020 and Mr. Bachmann and His Class
Mads Brügger’s feature directorial debut, The Red Chapel, took a Tom Green-via-Sacha Baron-Cohen approach to infiltrating North Korea, with the director finagling himself and two comics — both adopted from North Korea, one with spastic paralysis — into the country. Given that it’s not hard to make an actual absurd environment appear absurd on screen, he emerged with fairly pointless cringe comedy: plenty of awkwardness all round but no real surprises. So it’s interesting to hear Brügger admit at the start of The Mole (initially a three-part series, shown at DOC NYC in its presumably final two-episode form) that The Red Chapel, while an […]
by Vadim Rizov on Nov 19, 2021 -
“The American President is a Conspiracy Theorist”: Mads Brügger on Cold Case Hammarskjöld
A conspiracy theory is meant to provide just enough information to send you tumbling down multiple dead ends, desperate for a branch of legitimacy to grasp onto. It must begin with an undoubtable event (say, the death of a famous figure) that lacks concrete evidence as to how it took place. There must be several figures who go on the record and offer conflicting reports (or provoke the sense that they’re hiding something more sinister). There must be multiple probable reasons for this event to have taken place (the famous figure had it coming, the famous figure experienced bad luck). […]
by Erik Luers on Aug 19, 2019 -
Sundance Film Festival 2019: Cold Case Hammarskjöld, Light From Light
I’m not at Sundance this year but, thanks to a generous smattering of pre-screenings, still playing along from home. Of the six titles I saw in advance, I was most curious about what kind of reception Mads Brügger’s Cold Case Hammarskjöld would receive. Based on his first two films, I’d pegged Brügger as a sort of more self-serious Sacha Baron Cohen; both blur the lines between journalist and satirist, parachuting themselves into definitely nerve-wracking, potentially dangerous situations under false pretenses in service of (at least aspirationally) a larger social agenda. Both Brügger’s The Red Chapel and The Ambassador placed the undisguisably Danish-accented, seemingly unflappable director/”star” in, respectively, North […]
by Vadim Rizov on Jan 28, 2019 -
CPH:DOX 2017: The Inaugural Spring Edition
The “something for everyone” film festival is a rarity these days. While most fests like to think they’re providing a wide array for a curious cinephile to choose from, what they usually end up showcasing is a large selection of subject matter. In other words, the films themselves often look and feel very similar in style. (Indeed, I can often spot a Sundance film ten minutes in, and from a last row seat.) That makes CPH:DOX, “the third largest documentary film festival in the world,” something truly special. This was only my second time attending Copenhagen’s premiere nonfiction fest, but the combination […]
by Lauren Wissot on Apr 3, 2017 -
The Ambassador — A Hammer to Nail Review
(The Ambassador had its world premiere at IDFA 2011 and its U.S. premiere at the 2012 Sundance Film Festival. It was picked up for distribution by Drafthouse Films. It launched on VOD and digital platforms on August 4, 2012, and opens theatrically at the IFC Center in New York City on August 29, 2012, and at The Cinefamily in Los Angeles and Alamo Drafthouse locations in Austin on August 31, 2012.) For the Fox News crowd, the Central African Republic could be seen as the future they’ve been waiting for: a skeleton government that rules hand in hand with ruthless, unregulated […]
by Paul Sbrizzi on Aug 30, 2012 -
“THE AMBASSADOR” | director, Mads Brügger
[PREMIERE SCREENING: Friday, January 20 9:00 pm –Screening Room, Sundance Resort] Well, first of all I don’t think of myself as an artist. I am a journalist, who happens to make films. I make these films because they allow me to connect with an audience which is much larger than the five million Danes who live in Denmark. If I had written my latest film The Ambassador as a book, and published it in Denmark, I would not be answering this question in English, because nobody would know about The Ambassador outside of Denmark.
by Filmmaker Staff on Jan 20, 2012 -
“THE RED CHAPEL”‘S MADS BRUGGER | By Alicia Van Couvering
When Danish Zentropa director Mads Brugger decided to take himself and two Korean-Danish comedians to North Korea under the guise of a fake comedy project, he employed what he thought might be the magic word for repressive regimes seeking international image burnishing: “cultural exchange.” The film opens with a shot of Brugger, lying on a hotel bed, calmly reading Kim Jong-Il’s official Instruction Manual for Film Directing. The secret police who watched this footage every night apparently had no objection. What they somehow did not expect or anticipate was that Brugger would one day turn this footage into a feature […]
by Scott Macaulay on Feb 1, 2010
