Filmmaker

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Maria Dizzia

WEEK THREE AT THE EDIT CENTER

On Monday, each of us sits down to address the notes that we received from Rodney Evans, the director of The Happy Sad, on Friday. We are all tapping away with our headphones on, filling a common room, but simultaneously lost in our personal space bubbles. We do this for the better part of the day. Tuesday we have scene analysis. This is, of course, my favorite because… we are watching movies. Watching movies has been my hands-down favorite pastime since, well, forever. We watch Monique’s award-winning performance in Precious. If you have seen Precious (sorry, I’m not going to […]
by Alix Lambert on Oct 3, 2011

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