We recently ran a series of articles on the filmmakers shortlisted for the San Francisco Film Society’s Kenneth Rainin Foundation grants, and the eight projects which were chosen to receive support were as follows: Jonas Carpignano, writer/director — A Chjana — $45,000 for preproduction Grainger David, writer/director — Nocturne (working title) — $35,000 for screenwriting Ian Hendrie and Jyson McLean, co-writers/directors/producers — Mercy Road — $40,000 for development Maryam Keshavarz and Paolo Marinou-Blanco, cowriters — The Last Harem — $35,000 for screenwriting Richard Levien, writer/director and Chad Burris, producer — La Migra — $20,000 for development Tommy Oliver, writer/director/producer — […]
by Nick Dawson on Apr 24, 2013Last year on the Filmmaker website, we ran a series of pieces in which we profiled a group of finalists for the San Francisco Film Society’s Kenneth Rainin Foundation Filmmaking grant, run through the organization’s Filmmaker360 program. Now there’s a new set of finalists, and we are once again putting the spotlight on all those shortlisted for the grant. You can read Part 1 of this current series here and Part 2 of the series here. JONAS CARPIGNANO (WRITER/DIRECTOR), A CHJÀNA Synopsis: After leaving his native Burkina Faso, Ayiva makes the perilous journey across the Sahara and Mediterranean in search of a better life in Europe. Once in Italy, he […]
by Filmmaker Staff on Apr 9, 2013The world doesn’t need another list of the best films of the year, but after considering my own recent lists, I realized there were a handful of movies‹excellent independent work that has largely flown under the radar‹that even I initially overlooked. Here are seven bold American low-budget movies from 2011 that may have been forgotten in theatrical release, but should make for essential home viewing (if you haven’t seen them yet) in 2012. And I’ll be among the first in line to see where these young directors go next. 1. Silver Bullets. All I can say is that I […]
by Anthony Kaufman on Jan 2, 2012On Monday we published producer Karin Chien’s open letter to the Producers Guild of America about the exclusion of her feature, Circumstance, from awards eligibility due to it being filmed in the Farsi language. Here is their response Producers Guild of America response to Karin Chien’s open letter: We appreciate the passion and commitment behind responses such as Karin Chien’s, who has every reason to be proud of her work and the acclaim her film is receiving. Unfortunately, the Producers Guild has not recognized foreign language films as eligible for its awards because of the unique position the Guild holds […]
by Scott Macaulay on Dec 15, 2011The following is an open letter producer Karin Chien (Circumstance, The Exploding Girl) is addressing to the Producers Guild of America. An Open Letter to the Producers Guild of America. Recently, a film I produced with Melissa Lee and Maryam Keshavarz, CIRCUMSTANCE, was submitted for the Producer’s Guild of America’s awards consideration. CIRCUMSTANCE is a hard film to categorize: it’s a story of teenage love and personal freedom set in Iran, filmed in Beirut, edited in Chile, finished in France, and financed primarily by U.S. sources. And the film is in Farsi. We knew we were a long shot to […]
by Scott Macaulay on Dec 12, 2011In a release sent out today the Museum of Modern Art and the Film Society of Lincoln Center announced the full lineup for the 40th edition of New Directors/New Films, which will take place March 23 – April 3. Highlighting 28 feature films (24 narrative, 4 documentaries) from 22 countries, ND/NF will open with J.C. Chandor‘s investment banker drama, Margin Call. His debut feature stars Kevin Spacey, Paul Bettany, Demi Moore, Stanley Tucci and Jeremy Irons. Closing the festival will be Maryam Keshavarz‘s Circumstance, which looks at today’s Iranian youth culture through the eyes of two teenage girls. The film […]
by Jason Guerrasio on Feb 16, 2011