Meet Me in Montenegro is a romantic comedy about two lovers, a Norwegian dancer and an American filmmaker, who meet by chance during a visit to Berlin. The film is based on the real-life romance between co-writers, producers, and editors Linnea Saasen and Alex Holdridge, who both also star in the film as the fictional portrayals of their real-life characters. On the eve of the German premiere in Munich, I sat down with Saasen, her co-producer Ineke Hagedorn, and co-actress Jenny Ulrich. The Orchard has recently released the film in the U.S. and Canada, and it’s also available on digital […]
by Taylor Hess on Jul 27, 2015Toronto Film Festival 2014 By Scott Macaulay Early in Richard Glatzer and Wash Westmoreland’s resolutely unsentimental Still Alice, the eponymous Columbia University linguistics professor (Julianne Moore) visits a neurologist to discuss the memory issues she’s been having. “I’m going to tell you a name and address, and I want you to remember it,” he says. “John Black, 42 Washington Street, Hoboken.” After a few basic cognitive tests, he asks Moore to repeat the address. She stumbles, apologizes; she just got distracted. The doctor smiles and nods. Moore is brilliant in this scene, as she is throughout the film capturing, Kübler-Ross- […]
by Filmmaker Staff on Oct 20, 2014As expected, Alex Holdridge’s inspirational interview — about the creative boost he received from making a life change and swapping L.A. and “the system” for a very different life in Berlin — prompted some spirited discussion in the comments section. In case you read the article but not any of the dialogue that followed on from it, it’s definitely worth flagging up one of the comments — from Holdridge himself — that responded to director Zak Forsman’s list of things he loved about Los Angeles. Here’s what Holdridge had to say: I spent 8 years living there, making a film […]
by Nick Dawson on May 21, 2012I fell in love with Alex Holdridge’s gorgeous, smart black-and-white LA-set romantic comedy In Search of a Midnight Kiss when I saw it on the film festival circuit in 2007, and later interviewed Holdridge for Filmmaker when Kiss was released theatrically in 2008. In the intervening years, Holdridge and I were in occasional contact, and through Facebook I was aware that he had left L.A. and decamped to Berlin. But little more than that. When I read earlier this spring that he was in postproduction on his follow-up feature, Meet Me in Montenegro – a film co-written by and co-starring Holdridge […]
by Nick Dawson on May 7, 2012