Originally published in the Winter 2011 issue. Meek’s Cutoff is nominated for Best Feature. Before you see the first image of Meek’s Cutoff, you hear the film. Simultaneously swelling is the whoosh of rushing water and Jeff Grace’s unnerving, anxious score, which sounds like strings on guitar played backwards. Imagine a rusty fence gate slowly opening. That’s your invitation to the film. Then a title card — hand-stitched on what looks like the potato-sack material used to cover a wagon — announces that we’re in Oregon, and the year: 1845. This happens quickly, in less than 20 seconds, but by […]
by James Ponsoldt on Nov 23, 2011(Meek’s Cutoff is being distributed by Oscilloscope Laboratories. It opens theatrically at the Film Forum in NYC on Wednesday, April 8, 2011. Click on the links to learn more. ) As much as I approve of Kelly Reichardt’s Meek’s Cutoff in every single way, I’ve been finding it incredibly difficult to write a review of it. Not that I don’t have anything worthwhile to say. It’s just that everything I’ve come up with so far sounds like film school pretension. Though term papers could — and hopefully will — be written about how Reichardt revises and revitalizes the traditional Western […]
by Michael Tully on Apr 7, 2011Here’s the trailer for Kelly Reichardt’s new Meek’s Cutoff, which is the cover story of our Spring, 2011 issue.
by Scott Macaulay on Feb 26, 2011Here Oscar-winner Robert Benton interviews Derek Cianfrance. The piece was originally printed in the Fall 2010 issue. Blue Valentine is nominated for Best Actress (Michelle Williams). As a child, Derek Cianfrance always worried his parents would divorce. When he was 20 his fears were realized. Both upset as well as curious about his own emotional antennae — how he somehow sensed discord in his parents’ relationship — Cianfrance decided to tackle the subject head-on with a movie. After gaining notice in the indie community with his debut feature, Brother Tied, in 1998, Cianfrance got to work on Blue Valentine, a […]
by Filmmaker Staff on Feb 24, 2011Here’s one of the most beautiful end title sequences you’ll ever see, one that extends the film’s themes of love found and lost until the final moments the lights come up. It’s for Derek Cianfrance’s Blue Valentine.
by Scott Macaulay on Jan 31, 2011Now up on the site are select stories from the Winter 2011 issue. Michelle Williams talks about her upcoming film Meek’s Cutoff, as well as the challenges of trying to shake her Blue Valentine character to prepare. We chat with Apichatpong Weerasethakul about his Palme d’Or winner, Uncle Boonmee Who Can Recall His Past Lives. DP Eric Lin (The Exploding Girl) talks shop with Monogamy cinematographer Doug Emmett. As well as interviews with Limitless director Neil Burger and Mike Ott‘s Gotham Awards’ Best Film Not Playing at a Theater Near You winner, Littlerock. Lance Weiler also delves into his project, […]
by Jason Guerrasio on Jan 25, 2011Derek Cianfrance’s Blue Valentine opens December 31 and stars Ryan Gosling and Michelle Williams. Here’s the first trailer from the Weinstein Company.
by Scott Macaulay on Oct 8, 2010In news that just makes you scratch your head, according the Mike Fleming at Deadline, the MPAA ratings board has given Derek Cianfrance‘s Sundance gem (and Oscar hopeful) Blue Valentine an NC-17 rating. Starring Ryan Gosling and Michelle Williams as a married couple who are on the verge of a divorce, Fleming says the rating was given due to the scene where Gosling and Williams’ characters spend the night in an adult fantasy suite. “They get drunk and their problems intensify when he wants to have sex and she doesn’t, but will to get him off her back. It is […]
by Jason Guerrasio on Oct 8, 2010