Montreal International Documentary Festival
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“I Don’t Think Movies are Old-Fashioned”: James N. Kienitz Wilkins on His RIDM Retrospective (and Making Art in the Internet Age)
For this year’s 20th anniversary of RIDM, the Montreal International Documentary Film Festival teamed up with Visions, the city’s experimental documentary film series, for a truly cutting edge retrospective titled “James N. Kienitz Wilkins: Vessels/Containers.” Wilkins, a 25 New Face” of 2016, was honored with four programs containing seven of his works, created from 2012 through 2017. This includes 2012’s nearly two hour Public Hearing, a 16mm, B&W-filmed performance of the transcript from a town hall debate about replacing a Walmart with a Super Walmart, all the way to 2017’s 38-minute Mediums, a medium-length movie made up entirely of medium […]
by Lauren Wissot on Nov 22, 2017 -
Spotlight on UXdoc at The 20th RIDM (Montreal International Documentary Film Festival)
Running November 9th-19th, this year’s 20th edition of RIDM (or the Montreal International Documentary Film Festival for us non-Québécois) once again proved that big things come in small(ish) packages. Though not nearly as big as that other international doc fest directly on its heels, RIDM’s charm lies precisely in the fact that it’s both wide-ranging and easily navigable. In other words, a docuphile can relax and focus on the inspiring work in front of their eyes at any given moment instead of lamenting over the dozen other screenings, panels and events they’re inevitably missing. Which is not to say there […]
by Lauren Wissot on Nov 22, 2017 -
Gael García Bernal on Documentaries
“Let’s go back to the time when there was VHS,” says Gael García Bernal at the RIDM (Rencontres internationales du documentaire de Montréal or the Montreal International Documentary Festival). “In those days to see a documentary in Mexico your friend would buy a movie in New York or Amsterdam or wherever [and] they would come up to you and say, ‘If you want to see this…’” Inevitably, a documentary fell into the young García Bernal’s hands. “I don’t remember which one it was, but I remember feeling there was something beyond an investigation, that it had a bigger scope, a […]
by Allan Tong on Nov 27, 2013
