One of my favorite memories of attending a decade-plus of True/False is from the 2015 edition of the now-defunct Neither/Nor sidebar, annually dedicated to a small retrospective with accompanying monograph. A selection of unknown-to-me Polish cinema programmed by Ela Bittencourt structured that year’s on-the-ground experience from my first screening, Marcel Łoziński’s 1981 How to Live, as hilarious as promised by its description: “In the 1970s, young Polish couple [sic] attend a government-sponsored summer camp where they learn to become the ideal communist family.” The sidebar produced a number of related beguiling sights, not least the now very senior filmmakers in attendance […]