The first article I ever wrote for Filmmaker was a survey and analysis of an ascendant film movement called “mumblecore.” The label was still new enough ten years ago to get quotes around it. I interviewed Joe Swanberg, Jay and Mark Duplass, Ry Russo-Young, Aaron Katz, Matt Dentler, Greta Gerwig, Frank V. Ross, Andrew Bujalski, Anish Savjani and many more. The article was very long, and Scott put it on the cover. I have forgotten everything I wrote in the article, but I have never forgotten a post on Gothamist about it, which read, “Note to film journalists: Don’t interview […]
by Alicia Van Couvering on Sep 14, 2017The mumblecore mumblecorp is growing up, a reality certain to impact American independent film for years to come. And we, their generation, are aging with them. Some of us are their peers, some their audience, some their collaborators. Others, like me, have a more indirect tether. If “fan” is not the correct word then we are those who, because of our interest in and pursuit of film over the last decade, have come of age in their shadow. The mumblecorp — that tenacious group of filmmakers who, by blurring narrative and autobiography, cinema and home video, pioneered ultra-low-budget filmmaking — […]
by Gregory Collins on Oct 3, 2013Filmmaker Joe Swanberg clobbered Badass Digest critic Devin Faraci — in the ring, that is. I’ll leave it up to you to decide who scored more rhetorical points in their on-stage debate at Fantastic Fest. But after the verbal duel, the two climbed in the ring — literally — for a boxing match of which Swanberg emerged the victor. Indeed, Faraci’s haymakers were no match for Swanberg’s driving jabs. Matt Singer at Indiewire has the full transcript of the talk. An excerpt is below, as is a video of the fight. Devin Faraci: Joe, I want to thank you for […]
by Scott Macaulay on Sep 23, 2012Right now on Kentucker Audley’s No Budge website, it’s Frank V. Ross week. If that name elicits a blank response, it’s not an uncommon reaction. Though Chicago-based Ross is one of the original class of mumblecore directors, he never received the attention that was given to so many of his DIY peers, such as Andrew Bujalski, the Duplass brothers or Joe Swanberg (a fellow Chicagoan with whom Ross has collaborated numerous times). Nevertheless, his recent films Present Company (2008) and Audrey the Trainwreck (2010) have gained him a number of champions within the indie community, and those two films have […]
by Nick Dawson on Jul 11, 2012I’ve always connected with the work of Jonathan Lethem. I’m a fan of his novels and all, but I especially look at his criticism because his reference points are invariably the same as mine. We’re both big Philip K. Dick fans, he ended a novel (Fortress of Solitude) with an extended celebration of one of my favorite albums (Another Green World), and when he wrote an essay on his formative books and albums as a teenager, our lists were like dopplegangers. He also just wrote a book about Talking Heads Fear of Music, and his Promiscuous Materials project let independent […]
by Scott Macaulay on Apr 26, 2012Since Joe Swanberg’s first feature film, Kissing on the Mouth, premiered at SXSW in 2005, he’s managed to make at least a feature a year, multiple web-series, and found regular launch-pads at SXSW and IFC Films. When Swanberg directs a film, he really functions as a craftsman of the entire work: while he eschews screenplays in favor of improvisation, he works as cinematographer, editor, and usually acts in the film. As the nexus of a low-budget film movement stressing honesty, stories chronicling the lives of people in their twenties, and improvisation (this movement begins with an “M,” ends with “core,” […]
by James Ponsoldt on Jan 23, 2011MAGGIE HATCHER, TILLY HATCHER AND ALEX KARPOVSKY IN WRITER-DIRECTOR ANDREW BUJALSKI’S BEESWAX. COURTESY CINEMA GUILD. Every film movement has its (sometimes reluctant) leader or trendsetter, and in the case of mumblecore, that person is Andrew Bujalski. The soft-spoken writer-director and sometime actor was born in 1977 in Boston, where both his parents worked in business. His mother had previously been an artist, and Bujalski seemed to inherit her more creative inclinations, which lead him to study film at Harvard’s Department of Visual and Environmental Studies. Bujalski was particularly fortunate to have the legendary Belgian filmmaker Chantal Ackerman as his thesis […]
by Nick Dawson on Aug 7, 2009If there were to be a mumblecore parade, Joe Swanberg would be the man in the shiny red convertible, waving to onlookers and trailing a team of baton twirlers in his wake. His films – LOL, Hannah Takes the Stairs, Nights & Weekends – have helped to define a genre that was never supposed to be a genre at all. Alexander the Last, his latest, was executive produced by Noah Baumbach and stars Jess Weixler (Teeth), Barlow Jacobs (Great World of Sound, Shotgun Stories), Amy Seimetz and Justin Rice (Mutual Appreciation), as well as Jane Adams and Josh Hamilton. It’s […]
by Jason Guerrasio on Mar 12, 2009Lynn Shelton has worked in a variety of creative forms for most of her life, but seems to have found her true voice in the role of writer-director. A Seattle native, Shelton spent her formative years immersed in painting, writing poetry, taking pictures and acting. She was a stage actress for ten years (and was told she was destined to work in film), and subsequently studied for an MFA in Photography at NYC’s School of Visual Arts. She then began working in film, both as an editor on movies such as The Outpatient (2002) and Hedda Gabler (2004) and as […]
by Nick Dawson on Jan 17, 2009MARK DUPLASS AND GRETA GERWIG IN JOE SWANBERG’S HANNAH TAKES THE STAIRS. COURTESY IFC FIRST TAKE. Whatever the merits or otherwise of the “mumblecore” tag, one positive thing it has certainly done is help bring deserved attention to filmmakers like Joe Swanberg. The precocious 25-year-old was born in Detroit, but moved around as a kid before attending Southern Illinois University Carbondale, where he studied film. After graduation, he used money he had made from web design work to fund his first feature, Kissing on the Mouth (2005), which played at the SXSW Film Festival at the time the concept of […]
by Nick Dawson on Aug 22, 2007