My Best Day
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STANDING KNEE-DEEP IN WATER — THE AFTER-SUNDANCE BLOG
I empty my pockets of biz cards, coffee receipts and contacts written on scraps of napkins and sing-think to myself, ala Rosemary Clooney – “Is that all there is?…” “Let us know when you want to have dinner” a filmmaker Sundance vet texts. “The post Sundance blues are real. Believe it.” These thoughts must be truthfully reported in this blog even though reading about luxury problems like this would typically make me want to punch the writer. I was secretly expecting that once you got into Sundance you simply had to hand out butcher tickets to distributors and dig out […]
by Erin Greenwell on Feb 6, 2012 -
MEETING ROBERT REDFORD: THE “DURING SUNDANCE” BLOG
I’ve been considering many cold opening quotes to this “During Sundance” blog ranging from, “Bagels again?” to, “Marina Abramovic is in the next bathroom stall!” I’ll let Robert Redford start it with, “There’s Sundance here,” as he points towards the floor at the Directors Brunch “And then there’s Park City,” he indicates down the mountain. “Park City is not Sundance.” We directors nod. Bob understands. We won’t buy into the machine of the market place. Our film is already the gold and Bob is warning us to stay grounded. We then instantly bum rush him as soon as his speech […]
by Erin Greenwell on Jan 26, 2012 -
“MY BEST DAY” | Writer-director, Erin Greenwell
[PREMIERE SCREENING: Saturday, January 21 6:00 pm –Yarrow Hotel Theatre, Park City] I can trace back wanting to make movies to my father and “Butch Cassidy and the Sundance Kid.” Once in grade school, I had a history presentation due. While watching the above mentioned movie with homework-is-due dread, I was struck with inspiration. I asked my dad “Is this true?”. “Yeah” he remarked. My fact checking was pretty dodgy. Pulse racing, I made my father point out the name in the Encyclopedia Britannica and then based the rest of my research off the movie. The next day at school, […]
by Filmmaker Staff on Jan 21, 2012 -
PREPPING “MY BEST DAY” FOR SUNDANCE
If I had a child, I would name it Reel. Reel 2-pop Greenwell. Reel because breaking my movie in 15 minute reels has bought me time to work on one part the movie while the composer, sound mixer or color corrector is working on another. There is one more chance for every one to make it better before it goes off into the jaws of Sundance. 2-pop because if everyone gets the same reel with 2 frames of tone popping at the front of the reel and the back end of the reel– If those pops line up to the […]
by Erin Greenwell on Jan 19, 2012
