New Directors/New Films is known for bringing some of the freshest, boldest films to light, and not necessarily just for New York audiences. Arthouse theaters around the country often make selections from this well-regarded festival’s programming. The relatively high-brow co-presentation of the The Museum of Modern Art and the The Film Society of Lincoln Center is not, however, generally considered a place to discover new genre film, despite its reputation for supporting ballsy young upstarts. Yet perhaps the increasing cultural and cinematic significance of sufficiently well-made genre films is now keeping them from being overlooked by the festival that saves […]
by Farihah Zaman on Mar 23, 2012For Claudia Llosa, director of the Berlinale-winning and Academy Award-nominated Peruvian film The Milk of Sorrow, magical realism isn’t a literary genre or filmic device, it’s an element of national identity and consciousness. Her film, easily the most critically-lauded film to emerge from Peru, is set in the rough-hewn mountain settlements on the outskirts of Lima. It concerns a young Peruvian woman (the captivating Magaly Solier) who, having contracted a mysterious disease that is passed on via breast milk to the daughters of rape victims taken by soliders serving Peru’s deposed terrorist regime, sets out to bury her newly deceased […]
by Brandon Harris on Aug 25, 2010