Jamie Stuart was back at the New York Film Festival this year, getting up to his usual antics, except this time with a hot new camera, the Blackmagic Design Cinema Camera. (You can read his review of the camera here.) Look out for appearances by a host of film luminaries who graced NYFF this year — Alexander Payne, Spike Jonze, Tom Hanks, the Coen brothers, John Goodman, Tilda Swinton and Rooney Mara — plus cameos from Glenn Kenny and, um, me.
by Nick Dawson on Oct 24, 2013A substantial majority of the New York Film Festival slate is traditionally reserved for established auteurs and big-buzz festival titles. It might be better for adventurous film culture if NYFF and Cannes were to ditch the ballast of already established directors in favor of new and uncharted terrain, but that’s simply never going to happen and to protest otherwise is an unrealistic waste of time. (For those in the press corps, it’s also fun to bang through a dozen of the Year’s Most Important Releases in rapid sequence.) The U.S. premiere of Steve McQueen’s much-praised 12 Years A Slave may have […]
by Vadim Rizov on Oct 17, 2013Eclecticism governs the second half of the 51st NYFF just as it did the first. According to the Times, several common threads run through the week two batch, but these are little more than on-deadline segues. We could perhaps agree that all the films run at 24 frames per second. Below are recommendations I hope will sate the discerning ticket buyer. These are accomplished movies by directors who are not very well known in this country. Other films will sell out based on name recognition no matter the critical response, so, whether good, bad, or in-between, they will not be […]
by Howard Feinstein on Oct 2, 2013As the last stop on the fall festival circuit affecting awards season hysteria and odds, the New York Film Festival tends to draw most of its coverage for already-in-discussion main slate titles. This year there were a record 36 films in that section, with the expanded number seemingly designed to include more crowdpleasing filler (Richard Curtis’ About Time) and Hollywood titles that can serve as reliable draws (Nebraska, Inside Llewyn Davis). That’s not to say the festival’s 51st installment doesn’t still serve as a festival-of-festivals cross-section of notable recent titles of the hard sell type, but more of them than […]
by Vadim Rizov on Sep 26, 2013Elaine McMillion, one of Filmmaker‘s 25 New Faces of Independent Film for 2013, has been keeping busy since launching her interactive doc Hollow, about life in the hard-hit county of McDowell in south-western West Virginia, in June at http://hollowdocumentary.com. It immediately earned praise and a sizeable audience; she’s since presented for events and organizations like StoryCode and Independent Film Week, and Hollow continues racking up the positive reviews. The project includes an html5 site with dozens of short videos, photographs, text, user-generated content on Instagram, and content such as videos produced by the film’s subjects, many of whom the Hollow […]
by Randy Astle on Sep 26, 2013I have both good and bad news about the New York Film Festival (September 27-October 13). First, the good news: For the most part, the films in this impressive, carefully balanced program are very good. And the bad: The fest has become so expansive that quantity just may overshadow quality. A bright, high-energy, and well-regarded expert in all things cinema, Kent Jones debuts as head of the NYFF. For the first time in its 51 years, the composition of the selection committee has been, wisely, revised. Traditionally it was guided by the fest director, always a professional programmer, but rounded […]
by Howard Feinstein on Sep 26, 2013One of the most anticipated awards films of the year, Paul Greengrass’ Somali pirate movie Captain Phillips, was missing from both the Venice and Toronto lineups announced last week, and the reason why is that, as it was just announced today, it is on September 27 to open the 51st New York Film Festival, where it will have its world premiere. Telling the gripping real-life story of the 2009 hijacking of the American vessel Maersk Alabama, Greengrass’ film centers on the actions of container ship’s captain, played by Tom Hanks. (Captain Phillips will be released theatrically by Sony Pictures on […]
by Nick Dawson on Jul 29, 2013