It only seemed fitting that Portland-based folk musician Michael Hurley would perform a short set of sad songs before the screening of Guy Maddin’s 2003 experimental melodrama The Saddest Music in the World on Friday, March 25 at the Hollywood Theatre in Portland. Maddin himself was in attendance for the sold-out screening, which was presented as part of the Hollywood’s Mississippi Records Music & Film Series. In introducing the film, Maddin said it was a treat to “show this movie I barely remember making. I think what I recall is the movie is about a sad song contest, so Michael [Hurley], I […]
by Paula Bernstein on Mar 29, 2016Receiving its U.S. premiere at the 2016 Sundance Film Festival in the New Frontier section is Loic Suty’s The Unknown Photographer, the sole work that blew my mind just a couple of months earlier at Montreal’s RIDM. It’s an incredible, immersive Oculus Rift project inspired by the discovery of a photo album in the Laurentians north of Montreal. Suty’s piece takes us on a WWI photographer’s journey both familiar and foreign, equal parts timely and timeless. Filmmaker spoke with the Montreal-based “experience designer” prior to the piece’s Park City premiere. Filmmaker: So I believe this project originated with an actual […]
by Lauren Wissot on Jan 31, 2016There’s no good way to summarize the plethora of information presented last Saturday at TFI Interactive, a full-day conference held, for the second time, during the Tribeca Film Festival. Organized by the omnipresent Ingrid Kopp (who was recently interviewed by the MIT Open Documentary Lab), the day took place at the IAC Building in lower Manhattan, not far from most of the festival’s screenings and the Storyscapes interactive exhibits that Kopp also curated. Over 20 presentations covered dozens of individual projects, discussed entities like Kickstarter, the NFB, and IDFA DocLabs, and included panel discussions on creating adventure video games (think The […]
by Randy Astle on Apr 24, 2013In the seventh part of Filmmaker‘s interview project with prominent figures from the world of transmedia, conducted through the MIT Open Documentary Lab, Ingrid Kopp, Director of Digital Initiatives at Tribeca Film Institute, answers our questions. Kopp oversees the TFI New Media Fund, runs Tribeca Hacks and produces TFI Interactive during the Tribeca Film Festival. For an introduction to this entire series, and links to all the installments so far, check out “Should Filmmakers Learn to Code,” by MIT Open Documentary Lab’s Sarah Wolozin. MIT Open Documentary Lab: How do you see people making the transition to digital interactive storytelling? Kopp: I think people have […]
by MIT Open Documentary Lab on Apr 18, 2013