It’s appropriate that Halina Reijn, the Dutch actress-turned-filmmaker who previously directed the Gen Z whodunnit Bodies Bodies Bodies, would look to ’90s erotic thrillers as fodder for her next feature. After all, her countryman Paul Verhoeven (she has a supporting role in his Black Book) is considered the de facto master of this genre, bringing his penchant for the perverse to Hollywood with pictures such as Basic Instinct. Babygirl, Reijn’s English-language feature debut as writer-director, is less enamored with this bygone era than it is interested in deploying its framework within a personal, subversively feminist perspective. But make no mistake: […]
by Natalia Keogan on Dec 16, 2024Ever since her auspicious debut with Girlfight in 2000, director Karyn Kusama has been drawn to stories about flawed, driven protagonists, but she’s never had a heroine as forceful or complex as Erin Bell, the LAPD detective played by Nicole Kidman in Destroyer. Bell is a onetime undercover cop whose experience infiltrating a gang of thieves went horribly wrong, and who lives in a constant state of regret, resentment and rage — a volatile combination when the murder of one of her former associates opens up old wounds. The expertly constructed script, by Kusama’s frequent collaborators Phil Hay and Matt […]
by Jim Hemphill on Dec 17, 2018“Sit down! I don’t deserve that!” After being introduced by her friend Reese Witherspoon, Nicole Kidman took to the stage at Monday night’s Gotham Awards to accept a Tribute award for her distinguished career.
by Filmmaker Staff on Nov 30, 2017Nicole Kidman, in the midst of an extraordinary year of well-received performances, and legendary DP Ed Lachman, whose latest Todd Haynes collaboration is due for release in November, were announced today as the latest 2017 Gotham Award Tribute recipients. “It is truly an honor to present Nicole Kidman with the Actress Tribute this year,” said Joana Vicente, Executive Director of IFP and the Made in New York Media Center, in a statement. “Her choices in projects throughout her career have been bold and carefully selected, ranging from thought-provoking independent films and studio blockbusters to unique and original television series. She […]
by Scott Macaulay on Sep 13, 2017This year’s 66th Cannes Film Festival opened with a venerable love fest at the Jury Press Conference on Wednesday. Led by Steven Spielberg, this year’s panel drew an incredible mix of cinema talent Ang Lee, Nicole Kidman and Christoph Waltz, as well as Romanian director Cristian Mungiu and Scotland’s Lynne Ramsay. Spielberg and Lee admitted to the assembled press that they absolutely worshipped each other, despite being pitted up against each other at the Oscars this year. Although Spielberg said he was ready to judge, he claimed, “I look at this as two weeks of celebrating film, not two weeks […]
by Ariston Anderson on May 18, 2013While other A-List actresses have chased the kind of star vehicles that kill on opening weekend, Nicole Kidman has been quietly becoming Hollywood’s most unlikely rebel—a statuesque leading lady with a snowballing penchant for bold auteur partnerships. It’s hard to pinpoint when, exactly, the gal from Days of Thunder began her metamorphosis into the daring muse currently drawing viewers to The Paperboy (above), but many would likely cite Gus Van Sant’s To Die For as the pivotal work in Kidman’s filmography. The sheer unlikeability of the delusional, cradle-robbing viper Suzanne Stone screams of Tinseltown-bombshell repellant, but Kidman executed the role […]
by R. Kurt Osenlund on Oct 15, 2012The early months of the year are typically something of a cinematic wasteland dominated by substandard horror movies and thrillers, films that act as a palate cleanser to rid us of the taste of all those worthy pictures that awards season has fed us. Park Chan-Wook’s first Hollywood film, Stoker, is set to drop on March 1 next year, just as the bad starts turning to better; it looks like both a gripping genre piece and visually stunning, and personally I can’t wait to see it. Interestingly, though this is an American film, only the screenwriter (former Prison Break star […]
by Nick Dawson on Sep 27, 2012Originally posted online on December 16, 2010. Rabbit Hole is nominated for Best Actress (Nicole Kidman). David Lindsay-Abaire’s Pulitzer Prize winning play Rabbit Hole might seem like an odd choice for helmer John Cameron Mitchell, a director whose reputation wasn’t gained built on tasteful, upper-middle-class family dramas. Perhaps he’s mellowed, and given the results, why not? The film’s story of parental grief, that of a Westchester County couple (Aaron Eckhart and Nicole Kidman) who, eight months later still lack the emotional wherewithal to deal with the accidental death of their young son, may seem like the stuff of so many […]
by Brandon Harris on Feb 22, 2011NICOLE KIDMAN IN DIRECTOR NOAH BAUMBACH’S MARGOT AT THE WEDDING. COURTESY PARAMOUNT VANTAGE. If you believe what you read, Noah Baumbach’s films — sharp, witty, poignant and sometimes devastating — are drawn directly from his life. The son of Village Voice film critic Georgia Brown and novelist and film critic Jonathan Baumbach, Baumbach debuted as a writer-director in 1995 with his acclaimed Kicking and Screaming, the first of a number of films made during his twenties about New Yorkers in their twenties. After his second film, Mr Jealousy (1997), Baumbach admits that he got “derailed” and ended up making Highball […]
by Nick Dawson on Nov 16, 2007