Onur Tukel
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“If We’re All Gonna Die…Then Why Wouldn’t You Take a Risk as an Artist?” Onur Tukel (Back To One, Episode 265)
Onur Tukel is a boldly independent writer-director-actor who, for more than a decade, has been making cutting edge comedies in New York City that sometimes land in the horror category, sometimes social satire, are often absurd, mostly hilarious and always thoughtful—Catfight, Applesauce, Summer of Blood, The Misogynists, Scenes From An Empty Church, to name just a few. His latest, Poundcake, about a serial killer who only targets straight white men, is maybe his boldest yet, which says a lot. In this hour, he talks about his reluctant approach toward acting in his own films, the ways he has navigated low […]
by Peter Rinaldi on Aug 29, 2023 -
Music Video Watch: “I-95,” by Jamie Block, Directed by Onur Tukel
New York independent filmmaker Onur Tukel, whose work we have covered quite a bit at Filmmaker, has directed a music video of a song by the anti-folk singer Jamie Block. It’s a small-scale city symphony that speaks to our compulsion to distract ourselves when in the most public of spaces. Block’s new record comes out tomorrow, and, as a preview, the folks at sonaBLAST! Records have sent it along with this press statement: Jamie Block is a New York City based singer-songwriter who is known for his ramshackle, genre bending music. In the 1990’s, he busked, skylarked, and chain smoked […]
by Filmmaker Staff on Jun 28, 2018 -
Tribeca 2015 Critic’s Notebook: When I Live My Life Over Again, Dirty Weekend, Applesauce and Bad Hurt
It’s awards day at Tribeca and judging by the informal polling taking place at parties with free booze and in line at the Shake Shack next to the Regal Battery Park, the cinerati thinks this was a lukewarm edition. The fest’s first weekend provided more than its fair share of dreary viewing, with no films like last year’s still-unreleased Noah Buschel stunner Glass Chin or Angus MacLachlan’s unfairly overlooked Goodbye to All That to salve my hunger for top-shelf small movies that ought to matter. The festival surely has some strong surprises I haven’t uncovered, but time is running out; around mid-fest, everyone’s […]
by Brandon Harris on Apr 23, 2015 -
Five Questions for Applesauce Writer/Director Onur Tukel
Onur Tukel’s Summer of Blood was a hit of the 2014 Tribeca Film Festival, a work that saw the Brooklyn filmmaker venture from the relationship comedy drama of his previous pictures towards a sly, anarchic genre tale — in this case, a vampire story. Far from a generic riff on the genre, it contained all of Tukel’s typical emotional queasiness and edgy humor while adding quite a bit of the red stuff. With Applesauce, his latest, Dylan Baker plays the role of a man coaxed into recounting a story from his past on a radio show one day. He probably […]
by Scott Macaulay on Apr 20, 2015 -
“My Vampire has a Beer Gut”: Director Onur Tukel on Summer of Blood
Charmingly crude and equipped with the gift of gab, filmmaker and painter Onur Tukel’s Summer of Blood is a Brooklyn-set vampire comedy with a love for witty banter. The film’s writer, director, and editor, Tukel also stars as the pugnacious Erik, a fast-talking pessimist who shoots down a marriage proposal from his longtime girlfriend. Now a solitary bachelor with a dead-end job, Erik takes to the streets to contemplate life and has an unfortunate encounter with an ominous vampire. A thirst for blood, a higher sex drive and fear of sunlight soon follow. Watching Summer of Blood, you observe a lead at […]
by Erik Luers on Oct 16, 2014 -
IFP Announces its New Theatrical Platform “Screen Forward” and its First Five Theatrical Screenings
The Independent Filmmaker Project (IFP), Filmmaker Magazine‘s parent organization, announced the first five projects to get weeklong theatrical runs at the state of the art Made In NY Media Center’s theater as part of the Screen Forward program. Starting October 17th, the program will give filmmakers in the process of self-distribution the unique opportunity to gain a much-coveted NYC theatrical week-run, with IFP working with each filmmaking team on comprehensive audience engagement and grassroots outreach strategies, publicity support, coverage in Filmmaker Magazine, and a revenue split to all participating filmmakers. The fall slate includes: Josephine Decker’s Butter on the Latch and Thou Wast Mild and Lovely; Paul Harrill’s Something, […]
by Filmmaker Staff on Sep 18, 2014 -
Six Filmmaker Picks for the 2014 Northside Film Festival
The Williamsburg-based Northside Film Festival is in swing this week with its typically eclectic mixture of pictures curated by various local film partners (including IFP, Filmmaker‘s publisher) as well as, for the DIY Competition, their in-house team. Below are seven picks for those on the L train this week. More details on these screenings can be found at the Northside site here. i hate myself :). Any cultural critic namechecking Lana, Lena and Leslie (Jamison) while untangling the limits of autobiography, masochistic self-portrayal and the representation of female sexuality in the pornified internet age should reserve a paragraph or two […]
by Scott Macaulay on Jun 17, 2014 -
Tribeca Film Festival XIII #2: Survey Says
Perhaps it’s just a coincidence (don’t strain yourself trying to find out) that the same year the Tribeca Film Festival was partially acquired by Knicks owner James Dolan’s Madison Square Garden Company, the ESPN-sponsored sports film sidebar — a reliable showcase of “30 For 30”-esque jock docs destined for the network — kicked off with a gala screening of actor Michael Rappaport’s When the Garden Was Eden, a documentary about the Knicks’ late ’60s and early ’70s glory years. Here, the director of the well-regarded A Tribe Called Quest doc Beats, Rhymes & Life (which I wrote about here) relies on standard-fare […]
by Brandon Harris on Apr 22, 2014 -
Trailer Watch: Onur Tukel’s Summer of Blood
Opening Night of Tribeca Film Festival’s Viewpoints section, Onur Tukel’s Summer of Blood looks to be the latest entry in the genre that keeps on giving: vampires. Despite his average Joe likeness, Erik Sparrow (Tukel) seems to have a lot going for him: a good job, stable relationship, all against the thriving backdrop of New York City. Things take a sharp downturn when his girlfriend Jody (Anna Margaret Hollyman) goes out on a limb and proposes to him, and the pompous Erik rejects her offer. Drowning in a post-breakup malaise, Erik is fortuitously bitten by a vampire and revitalized in mind, […]
by Sarah Salovaara on Mar 17, 2014 -
Polish Progress: American Indies in Wroclaw
If any one moment encapsulated the fervor for U.S. independent cinema among the young cinephiles of Wroclaw (pronounced Vrot-swof, by the way), it arrived at around 11:00 PM on my final night of attendance at the 4th edition of the city’s American Film Festival (22-27 Oct, 2013). I was strolling back to my hotel in the company of Killer Films honcho Christine Vachon and Tennessee-based producer Ashley Maynor when a lissome young Polish fellow with rosy cheeks, Kurt Cobain hair, and a T-shirt bearing the legend ‘Hipsters Don’t Wear Frames’ suddenly appeared. With a shallowness of breath that suggested he’d […]
by Ashley Clark on Nov 4, 2013
