The 12th annual Tribeca Film Festival is finis, but not its films. They will live, often for years, particularly documentaries which historically are Tribeca’s strongest category — one of the few things New York festivalgoers agree upon. This year’s crop of wide-ranging docs had me ping-ponging fast and furious, doc slurping from gruesome war to ballroom dancing to stoned hillbillies to weird couple to profound icon to stunningly gorgeous. Maturity seems to be catching up to Tribeca, and in a good way. Certainly for the docs. The Kill Team After a decade of U.S. fighting in Afghanistan and after screening […]
by Stewart Nusbaumer on Apr 29, 2013It’s easy to get a bad rap in New York. It’s a town that holds grudges, where easy assumptions die hard and critical whispers ricochet from person to person. For a long time it was difficult for the Tribeca Film Festival to escape the stigma of its early years, when it remained spiritually connected to the aftermath of 9/11 and its original purpose while not having yet evolved into a truly satisfying event. Back then it was brash, unwieldy and overlong, its ambitions outstripping necessity and good taste. These qualities often overshadowed what it did well, and even as the festival […]
by Brandon Harris on Apr 26, 2013Between 2008 and 2011, Brooklyn-based documentary filmmaker Sean Dunne built a burgeoning reputation for himself with a series of short films that demonstrated both his strong visual sense and his ability to skilfully capture the world of his subjects. The standout films from this period were The Archive, a portrait of the largest collection of vinyl records in the U.S. and its owner, and American Juggalo, which featured devoted Insane Clown Posse fans at the annual Gathering of the Juggalos. Now Dunne has broadened his focus and made his debut feature, Oxyana, which zeroes in on the town of Oceana, […]
by Nick Dawson on Apr 19, 2013For some years now, I have been a big fan of the work of Sean Dunne, whose shortform documentaries are not only intelligent and compassionate but also visually accomplished and highly cinematic. Anyone looking to get a sense of Dunne’s talent should check out The Archive, his 2008 debut, or American Juggalo, which he put out last year. (To see all of his work, go to Dunne’s Vimeo page.) Given my admiration for his shorts, I was very excited yesterday to receive an email from Dunne about the new project he’s working on: Oxyana, his debut feature. He wrote, “I […]
by Nick Dawson on May 24, 2012