Considering cinematographer Paul Cameron is responsible for a portion of the seminal digital photography in Michael Mann’s Collateral, one might assume Cameron is a proselytizer of the digital revolution. Not so — Cameron remains an ardent devotee of celluloid, extolling its virtues as an “elegant, eloquent” medium. With the blessing of series co-creator Jonathan Nolan, Cameron sped film through the gate on the HBO pilot for Westworld. An extension of Michael Crichton’s taut 1973 sci-fi thriller about an Old West theme park where “guests” indulge their baser desires through interactions with robot “hosts,” this new Westworld digs its spurs into […]