Repeat business: It’s a hallmark in the long career of Dariusz Wolski. If the Polish-born cinematographer shoots one movie for you, there’s a decent chance he’ll be back for another. He’s lensed two movies for Tim Burton, Tony Scott and Alex Proyas; four alongside Gore Verbinski; and six for Ridley Scott. Yet it’s a new collaboration with director Paul Greengrass—and a new genre, the Western—that earned Wolski his first Academy Award nomination after more than 30 years shooting features. Wolski picked up the Oscar nod yesterday for News of the World, a post-Civil War tale of a traveling entertainer (Tom […]
by Matt Mulcahey on Mar 16, 202122 July is a difficult film. Any film about the 2011 terror attack and massacre on Utøya island in Norway would have to be. Less expected is the film’s strong political edge. In that sense, 22 July is something of a return to roots for Paul Greengrass. Before taking on the Bourne franchise, the director made a mark with his 2002 docudrama Bloody Sunday, about the Bogside massacre of Northern Irish protesters by British soldiers in 1972. In that film, as in his new one, Greengrass combined his trademark visceral, shaky-cam documentary aesthetic with a strong sense of political urgency. […]
by Corey Atad on Oct 10, 2018One of the most anticipated awards films of the year, Paul Greengrass’ Somali pirate movie Captain Phillips, was missing from both the Venice and Toronto lineups announced last week, and the reason why is that, as it was just announced today, it is on September 27 to open the 51st New York Film Festival, where it will have its world premiere. Telling the gripping real-life story of the 2009 hijacking of the American vessel Maersk Alabama, Greengrass’ film centers on the actions of container ship’s captain, played by Tom Hanks. (Captain Phillips will be released theatrically by Sony Pictures on […]
by Nick Dawson on Jul 29, 2013The genius of the Jason Bourne movies is their welding of existentialist inquiry with the demands of the thriller in a globalist age. Adapted from Robert Ludlum’s series, Doug Liman and screenwriters Tony Gilroy and W. Blake Herron established the template with The Bourne Identity, locating their film’s MacGuffin not in the outside world but under the skin of its hero. As ex-intelligence operative Jason Bourne skips from city to city, pursuing clue after clue, he is ultimately investigating not a case but his own identity. What kind of man was — is — he? For my money, the first […]
by Scott Macaulay on Mar 14, 2010