Gabe Klinger previously wrote at Filmmaker about the making of his Double Play: James Benning and Richard Linklater (2013), which is now available on the Criterion Channel. Here, he recounts the last nine years of what he describes as “his sometimes uneasy path as a feature filmmaker” and discusses his latest project. — Editor  It’s approaching a decade since I shared some anecdotes in these pages about directing my debut feature, Double Play: James Benning and Richard Linklater. Conceived with support from Ciné+ — a French pay TV channel where one of our producers, André S. Labarthe, had a pipeline deal […]

Thessaloniki International Film Festival By Ray Pride What everyone in Greece has known since 2008 is — well, no one knows. In late December, the eurozone lenders again withdrew short-term relief measures for the demolished Greek economy, partially prompted by a one-time relief payment to impoverished pensioners for Christmas. A local observer said the current goal in Greek politics is to see “who can be less hated than all the others. Trust in political parties is rock bottom.” Greece is still in crisis, still reeling and contracting, although there are hopeful signs at street level, in cafes and tavernas, in this centuries-old, […]

After taking home the Best Documentary prize from the Venice Film Festival for Double Play: James Benning and Richard Linklater, critic-turned-director Gabe Klinger’s first scripted feature is the fractured, woozy love story, Porto. Set in the titular Portuguese city, it dramatizes in non-linear fashion the shared experiences of a rail-thin American nomad, Jake (Anton Yelchin, in a hypnotic parting performance), and a charming local woman, Mati (Lucie Lucas, making her feature starring debut). Porto debuted at the San Sebastián International Film Festival in late September and followed with showings at the Zurich Film Festival, where I was able to catch up with him […]