Lately, it seems that events are conspiring to make me look backwards. First of all, about two years ago, I was invited to donate my personal archives to the University of Michigan’s Screen Arts Mavericks & Makers Collection. It was an incredible honor to be joined with such illustrious company as Orson Welles, Robert Altman, John Sayles, Alan Rudolph, Nancy Savoca and, most recently, Jonathan Demme. But it was also a bit nerve-wracking to think that total strangers would be rummaging through my proverbial attic—a hoarder’s collection of film posters, correspondence (actual hardcopy letters, memos and mimeographs!), grosses and marketing […]
by Ira Deutchman on Sep 17, 2018New Yawk New Wave has been running at Film Forum since January 11 but still has a couple of precious days of life left. In a way, it’s one of the more ambitious curatorial projects to emerge from the theater’s august archivists. The series isn’t bound to a single era (it encompasses the period from 1953 to 1973), genre (everything from madcap comedy to downcast drama makes an appearance), or even style (there’s New Wave, cinema vérité, post-noir, and whatever you want to call Robert Downey Sr.’s still-photos-plus-voiceovers oddity, Chafed Elbows). Besides New York origins, the main thing this wildly […]
by Jim Allen on Jan 30, 2013Robert Downey Sr.’s films are ribald, socially-conscious, highly experimental works that make Richard Lester’s oeuvre seem polite and Godard’s plot-heavy. Though he achieved cult success with 1969’s Putney Swope, some of Downey’s other, more radical works from the period are arguably more interesting, and their revival by way of an Eclipse box set is exceptional news. Up All Night With Robert Downey Sr. brings together five early films which show the director at his unhinged best, and if nothing else should prove a hedge against Downey becoming a mere footnote to his more famous son’s career. A part of New […]
by Eddie Mullins on Jun 14, 2012