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Looking Backwards To Look Forward
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Little Woods
Caryn Coleman on The Future of Film is Female’s Return to MoMA
Harry Melling in The Ballad of Buster Scruggs
“This Was Like Designing for Six Different Leads and Six Different Backgrounds”: Costume Designer Mary Zophres on The Ballad of Buster Scruggs
Emma Stone and Olivia Colman in The Favourite. Photo by Yorgos Lanthimos. © 2018 Twentieth Century Fox Film Corporation.
“Lights are Your Friends, but Sometimes They Don’t Need to Come Around to the Party”: Cinematographer Robbie Ryan on Shooting Yorgos Lanthimos’s The Favourite
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Where are the Girl-Wonders? Everywhere—But Who Noticed?
Feb 21, 2019
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“Nothing is More Gorgeous than When Things Get Real in a Movie”: Editor Barry Alexander Brown on Three Decades Cutting for Spike Lee
Feb 20, 2019
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“Do We Need Another Movie about Two White Kids in Brooklyn?” DP Ashley Connor on Madeline’s Madeline, Shooting Commercials and Diversity
Feb 19, 2019
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Back to One, Episode 46: Ariel Kavoussi
Feb 19, 2019
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“It’s As If I Made A Suit Starting from the Buttons Instead of the Fabric”: Four Questions for Everybody Knows Writer/Director Asghar Farhadi
Feb 18, 2019
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“I Love Silence, and I Like to Be Bored”: Romina Paula on Her Rotterdam-Premiering Directorial Debut, Again Once Again
Feb 18, 2019
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“You Run the Risk of Becoming a Brand”: Co-Writer/Co-Producer/DP/Editor James N. Kienitz Wilkins and Co-Producer Paul Dallas on Berlinale 2019 “Fake Indie” The Plagiarists
Feb 14, 2019
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Back to One, Episode 45: Josh Hamilton
Feb 12, 2019
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“…If They Don’t Bleed in Front of Camera, Then Usually They’re Sort Of Always Right”: Gus Van Sant On Cinematography, His Actors, and Don’t Worry, He Won’t Get Far On Foot
Feb 8, 2019