Lately, it seems that events are conspiring to make me look backwards. First of all, about two years ago, I was invited to donate my personal archives to the University of Michigan’s Screen Arts Mavericks & Makers Collection. It was an incredible honor to be joined with such illustrious company as Orson Welles, Robert Altman, John Sayles, Alan Rudolph, Nancy Savoca and, most recently, Jonathan Demme. But it was also a bit nerve-wracking to think that total strangers would be rummaging through my proverbial attic—a hoarder’s collection of film posters, correspondence (actual hardcopy letters, memos and mimeographs!), grosses and marketing […]

Italian jazz saxophonist and composer Enzo Avitabile might not be a household name in the States, but in the annals of world music he’s quite a fixture. In his native Naples he is so famous that when he visits the neighborhood of his youth, folks bustle into the streets and onto rooftops and balconies to lay eyes on him. A scholar of jazz, he can hold court on the evolution of the form as long as you’d like him to, although as Academy Award-winning director Jonathan Demme discovers in his newest concert film, Enzo Avitabile Music Life, that may not […]

Academy Award-winning director Jonathan Demme has made Hollywood spectacles (The Silence of the Lambs, The Manchurian Candidate), eccentric indies (Rachel Getting Married, Something Wild), timeless rock docs (Stop Making Sense, Neil Young Journeys) and other unclassifiable delights. At the 12th annual Festival International du Film de Marrakech, Demme’s filmmaking legacy was honored with both a formal tribute, and an invite to give a “masterclass” to an enraptured Moroccan audience. Filmmaker sat down with Demme to discuss his iconoclastic career. Filmmaker: For decades, you’ve been slinking between narratives and documentaries. What interests you more? Demme: I’ve always followed my enthusiasm. If […]

It’s been nearly two weeks since my participation in IFP’s Emerging Visions Program and now that the dust has settled, I can see clearly how valuable this experience was, not only in a practical sense, i.e., the nuts and bolts of filmmaking, but also in more intangible ways. I was lucky to have the opportunity to participate in the Emerging Narratives and the Emerging Visions Program, back to back, with my feature film script The Whispering Giant. Both IFP programs offer filmmakers a chance to pitch their projects in a “safe” environment, where they can be critiqued by an industry […]

Kate Hannah (Mary Elizabeth Winstead) is a devoted elementary school teacher who, early in James Ponsoldt’s new film Smashed, shows up for work with a wicked hangover and vomits in front of her students. Forced to explain her behavior, she tells her class and colleagues that she’s pregnant. The lie leaves her feeling awful, and it’s soon clear to Kate that she needs to back away from the bottle. After all, this isn’t a one-off incident. She and her husband Charlie (Aaron Paul) are almost constantly drunk, and it’s pretty clear to her that they live for booze as much […]

An older filmmaker friend of mine recently told me about his first experience with Kickstarter. He hated it. It wasn’t that he didn’t get his money–his campaign was actually successful. No, It was something else. As he put it, it was “transparency.” He really didn’t like having to be so open about his needs, about the status of his project, about his desperation to raise money. Transparency can be uncomfortable for filmmakers–too much and you seem like you don’t know what you’re doing, too little and you don’t get the help you need. I guess it’s about finding the right […]

Since I’ve never attended the Toronto International Film Festival, or the long-running doc series Stranger Than Fiction, I was shamefully late to discover the curatorial wizard behind-the-curtain by the name of Thom Powers. But ever since Powers’s programming became, for me, the highlight of this year’s Miami International Film Festival he’s been firmly on my cine-radar. So when I noticed he’d be returning as artistic director of DOC NYC (which runs Nov. 2-10) I thought, “Oh, no.” I didn’t have time to cover DOC NYC right before I flew to Amsterdam to tackle the mother of all nonfiction fests IDFA! […]

A Dutch protectorate tucked near the very bottom of the Caribbean, Aruba is a small, arid, resort powered island that, despite its idiosyncrasies, may feel at times, especially along its sunbather packed eastern shores, like any other tourist satellite (although a particularly intoxicating one it is). Still, woe is he who gets caught in the all too ubiquitous American simulacrum, one of decidedly marked-up Five Guys fries and T.G.I. Friday’s chicken fingers, of cheeseburger “specials” at Hooters with beef that taste like copper. Of course, this is a film festival on a beautiful tourist trap, so there’s a lot of […]

A powerful statement from U.S. directors calling for the release of director Jafar Panahi from prison in Iran has been issued. I’ll let the petition speak for itself, but kudos to the organizers for taking action and assembling this illustrious group. New York, NY (April 30, 2010) – Jafar Panahi, an internationally acclaimed Iranian director of such award-winning films as The White Balloon, The Circle, Crimson Gold and Offside, was arrested at his home on March 1st and has been held since in Tehran’s notorious Evin prison. A number of filmmaking luminaries have come to Mr. Panahi’s defense and “condemn […]

Editor and Publisher reports that filmmaker Jonathan Demme, currently in theaters with the Neil Young concert film Heart of Gold is quoted via a third party saying, “Neil [Young}just finished writing and recording — with no warning — a new album called ‘Living With War.’ It all happened in three days… It is a brilliant electric assault, accompanied by a 100-voice choir, on Bush and the war in Iraq… Truly mind blowing. Will be in stores soon.” Singer Alicia Morgan has more on her blog: “On Wednesday, I was at work when I got a call for a Neil Young […]