The asymmetries of combat in a zombie movie are unlike any other: One must shoot to kill because only one side fights—the other side is merely hungry. The fate of humanity hinges on an efficiently delivered death blow. Characters can outrun the monsters or grab a knife in the kitchen for self-defense. Or, if the movie was made in America, there’s probably a gun. Only one side can handle tools. It is right there on the movie posters in which actors typically appear with their primary weapons. Brad Pitt has an assault rifle on the World War Z (2013) poster, […]

Yes, 2020 sucked. The worst year of our lives finally came to an end, and most independent films and filmmakers, like just about everything and everyone else, suffered. Grand Jury Prize winners were delayed, critics’ favorites were lost and buzzworthy breakouts, briefly the talk of Park City, remained in limbo, waiting for some nebulous future release date when movie theaters might re-open and vaccinated audiences might attend them. Normally, you could look back at a year’s worth of top Sundance titles, examine what became of them in distribution—as Filmmaker usually does—and glean some takeaways about the state of the marketplace. […]

“This movie is a tribute to the many genres I love—thrillers, rom-coms, horror,” says writer/director Emerald Fennell about her searing and fiercely confident debut feature, Promising Young Woman. “It’s a dark satire of those genres.”  It’s also, says Fennell, a Western of sorts—a continually surprising movie about a woman on a journey of justice. Self-styled vigilante Cassie (Carey Mulligan) is a medical school dropout determined to teach entitled male predators a life lesson, a calling that honors the life of her best friend Nina, victim to a horrific case of sexual assault years earlier. An actor whose credits include The […]

In 1977, a characteristically fervid Philip K. Dick arrived to lecture at a science fiction convention and share his experiences from three years earlier, when he became convinced that the world was a simulation, one of many (“there may be 30 or 3,000 of them”) operating simultaneously, glimpses of which he’d seen. Clips from this speech (“If You Find This World Bad, You Should See Some of the Others”) and the Q&A that followed frame Rodney Ascher’s A Glitch in the Matrix. In the five-chapter (plus an epilogue) dive into the world of “simulation theory,” Ascher focuses on five subjects […]