Greeted with predominantly mixed-to-negative reviews at Cannes, Guillaume Nicloux’s Valley of Love — tonight’s Opening Night selection of this year’s Rendez-Vous with French Cinema — hit me so strongly I had to read up afterwards. Whatever the obvious problems with this movie may be didn’t register with me, so reading the notices helped. This isn’t a case of non-arthouse-friendly viewers finding a movie too slow and boring, but there are, I suppose, some obvious hurdles with this film. It starts as naturalism and unexpectedly keeps left-turning into mysticism, turns too jarring and ill-fitting for some (but, by definition, can’t movies turn […]
by Vadim Rizov on Mar 3, 2016On the basis of the five films I sampled in the 20th edition of Lincoln Center’s annual “Rendez-Vous with French Cinema” series, I’m not inclined to make any diagnoses of either the state of French cinema or even this year’s edition. All five were worth seeing but only one skirted essential status, so let’s start there. Inelegantly labeled 40-Love in English (the French title, Terre batue, translates as “clay court”), Stéphane Demoustier’s first feature grows logically from his documentary short Fille du calvaire, a look at the long and difficult path awaiting young men training to be tennis pros. 40-Love initially appears to […]
by Vadim Rizov on Mar 6, 2015Let’s start with the most urgent recommendation and work down: out of the eight films I sampled from this year’s installment of Lincoln Center’s self-explanatorily-titled annual series “Rendez-vous with French Cinema,” Justine Triet’s currently undistributed Age Of Panic is the big must-see. That (English only) title’s no joke: Triet’s first feature builds on her documentary background, embedding a palpitation-inducing family drama within the real street gatherings and celebrations on the day of François Hollande’s election to presidential office. TV reporter Laetitia (Laetitia Dosch) has to cover the man-on-the-street reactions on Rue de Solférino; babysitter (Marc-Antoine Vaugeois) is forced to join […]
by Vadim Rizov on Mar 8, 2014Jean-Claude Brisseau’s The Girl From Nowhere is an auteur work of relatively low-profile interest to the broader public, one of several such items in Lincoln Center’s annual Rendez-Vous With French Cinema series, which starts today. Brisseau’s career is firmly bifurcated, the second part beginning with 2002’s Secret Things — overheated soft-core with classical allusions — led to lawsuits and sentencing for sexual harassment of auditioning actresses. After two more films in this humid vein, The Girl From Nowhere stars Brisseau himself in an adamantly chaste mood. A man-mountain with a body somewhere between latter-day Gerard Depardieu and NFL coach Rob […]
by Vadim Rizov on Mar 1, 2013