During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? While I was at Standing Rock I had the privilege to stay in the Oceti Sakowin camp and be part of a community aligned to stop the Dakota Access pipeline. And through it all there seemed to be an overarching narrative that the media hooked into. It usurped everything else. Wherever you turned you would hear about the violence and the chaos of state-led oppression against “protestors.” […]
by Filmmaker Staff on Jan 20, 2017