Latest News
Andrew Gillis in Werewolf (courtesy of La Distributrice
de Films)
Why I Am Hopeful: Programmer Eric Allen Hatch on the Future of Arthouse Programming
DP Larkin Seiple Breaks Down Every Shot from Childish Gambino’s “This Is America “
Adam Driver and John David Washington in BlacKkKlansman
Cannes Dispatch #5: BlacKkKlansman, The House That Jack Built
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Towards Gender-Blind Casting: Conversion Therapist Writer/Director Bears Fonte on Trans Performers
Jul 19, 2018
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Be Everywhere All At Once: The Ultimate Guide to Festivals, Online, & Your Short Film Release
Jul 18, 2018
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Watch: Previously Unseen Behind-The-Scenes The Shining Footage, Including a Kubrick Interview
Jul 18, 2018
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“Filmmakers Know ESPN Better Than Cinema”: DP Sean Price Williams on Shooting The Great Pretender With a DSLR and Today’s Film Climate
Jul 17, 2018
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Joan Micklin Silver on Casting Crossing Delancey and Steven Spielberg’s Role in Getting the Film Made
Jul 17, 2018
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A Sense of Place: The Job of the Location Manager
Jul 17, 2018
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“Zooms are Totally Underutilized”: Bo Burnham on Eighth Grade
Jul 17, 2018
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Rocco and His Brothers, Dietrich and Von Sternberg, and Dragon Inn: Jim Hemphill’s Weekend Viewing Recommendations
Jul 13, 2018
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“The Main Way to Force Strategic Failures and Fix Broken Elections is to Pay Attention”: Kimberly Reed on Dark Money
Jul 13, 2018
