Sam Green
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Still on the Job: Filmmakers on Their Second Jobs
Here’s the funny thing about an article on second jobs in filmmaking: It’s always relevant. The last piece I wrote for Filmmaker on this topic is still referenced: people continue to call me up to talk about it, and nearly as often as they did when it first appeared. But it’s been five years since I wrote it. So, as part of our ongoing look at the financial lives of artists, we thought it would be a good idea to revisit some of the filmmakers we interviewed in 2009 and see how their relationships with their second jobs have evolved […]
by Esther B. Robinson on Jul 17, 2014 -
Is the Future of Film Distribution in the Live Format?
A few weeks back, I went to see a one woman show called HAPPY, performed by my friend Eleanore Pienta. It was confluence of many emotions and personalities, but found a recurring framework in the live realization of film. A projection of Eleanore, in character, in a setting, would appear against a backdrop for several minutes, before the lights switched on and Eleanore strode onto stage as that same character. She was effectively bringing these short films to life, something I recalled while reading Sheri Candler’s post at Hope for Film entitled “Creating ‘Live’ Films Can Be Artistically and Financially […]
by Sarah Salovaara on Feb 13, 2014 -
SAM GREEN’S LOVE SONG AT SFIFF
One of the highlights of the 2012 San Francisco International Film Festival, which boasted a great lineup of films and filmmakers, was the new “live documentary” by Sam Green, The Love Song of R. Buckminster Fuller, featuring Green and Yo La Tengo live on stage. The notion of the live documentary is exciting as a new film movement, a far more powerful one than the overrated reemergence of 3-D. As part of their Buckminster Fuller exhibit, SFMOMA commissioned Green to create a live documentary on Fuller in the spirit of the filmmaker’s previous work Utopia in Four Movements. Fuller is […]
by Mike Plante on May 7, 2012 -
SAM GREEN, “UTOPIA IN FOUR MOVEMENTS”
After Sam Green and Dave Cerf premiered their “live documentary” Utopia in Four Movements at Sundance, I wrote the below as part of a Sundance wrap-up at FilmInFocus. Also part of New Frontier was Sam Green and Dave Cerf’s Utopia in Four Movements. In what was billed as a “live documentary,” filmmaker Green, who previously helmed the doc, The Weather Underground, explores a precondition for revolution: a shared vision of utopia. The score was composed and played live by The Quavers (Catherine McCrae, Dennis Cronin, T. Griffin, and Cerf), and Green did live voiceover over film clips and slides. Recalling […]
by Scott Macaulay on Oct 11, 2010
