Tony Zhou’s latest begins with a few stern words from Samuel L. Jackson about his intense dislike for having to repeat his performance over and over for multiple angles of coverage. Given that The Hateful Eight is nothing if not an exercise in ensemble staging, it’s timely that that’s the intro for Zhou’s examination of how this technique works in Bong Joon-ho’s masterful Memories of Murder. Much to chew on here, as ever.
by Filmmaker Staff on Jan 5, 2016The following review contains spoilers. In Quentin Tarantino’s superbly balanced ensemble piece, The Hateful Eight, the passengers and drivers we meet at the start of the picture, dropped off at Minnie’s Haberdashy, a spacious Wyoming way station, by two different stagecoaches on different but overlapping missions, all have masked identities. Six years after the end of the Civil War, these are some of battle’s renegade residue, Confederate vets with few prospects who depend on bounty hunting to survive in a particularly testy postwar America. In the second coach there’s Chris Mannix (Walton Goggins, displaying the best of his high-energy talent), […]
by Howard Feinstein on Dec 24, 2015We expect a lot from Quentin Tarantino. A generation ago, we lined up in the cold and fought for tickets to behold the next Kubrick opus or the latest Star Wars episode. Today we do it for QT. This time, he unleashes Django Unchained. It’s an historical shoot-em-up drama set in the antebellum era of the American South. Django (Jamie Foxx) is a slave-turned-bounty hunter who sets out to rescue his wife (Kerry Washington) from a sadistic plantation owner (Leonard DiCaprio). At his side is his mentor, a German bounty hunter named Dr. King Schultz (Christoph Waltz who brilliantly played […]
by Allan Tong on Dec 21, 2012Trailers have the ability to psyche us up, freak us out, turn us off, and lead us very, very astray, but the heightened anticipation (they don’t call them teasers for nothing) is part of the fun, regardless of how accurate a representation of the film that cleverly constructed little bugger ends up being in the end. Here’s a little commentary on a selection of recent genre trailers; let’s both judge a book by its cover and appraise the cover itself. THE SNOWTOWN MURDERS (Justin Kurzel, in theaters March 2nd) I always feel wary of trailers that start off […]
by Farihah Zaman on Feb 17, 2012I took note of the videogame Heavy Rain after reading Seth Schiesel’s wildly positive review in the New York Times. Here are the first two grafs: The big storm has been raging for days. The winds around the eaves make me lonely, melancholy, and yet my guilt forces me forward in search of redemption. I have probably spent 10,000 hours playing various sorts of electronic games. But no single-player experience has made me as genuinely nervous, unsettled, surprised, emotionally riven and altogether involved as Heavy Rain, a noir murder mystery inspired by film masters like Hitchcock, Kubrick and David Lynch. […]
by Scott Macaulay on Mar 22, 2010