IBC Show was back in full swing with its familiar multi-day in-person event, with more than 37,000 smiling faces eager to attend the festivities. The Amsterdam gala is like no other trade show in the industry, pinning studios, media entertainment companies, tech innovators, software providers, filmmakers and creators under one roof. You can literally have a meeting with Google or Amazon AWS in the morning, then learn about the latest offerings from Canon, Sony or Avid in the afternoon. Similar to this year’s NAB Show and Cine Gear Expo LA, the future of technology was a buzzy topic on the […]
by Daron James on Sep 19, 2022Samyang [also sold under the Rokinon brand] attracted quite a bit of attention from budget filmmakers when it started selling its budget line of “Cine” lens. These were their traditional still lenses with standard geared focus and aperture rings, de-clicked aperture ring, and remarking for T stops rather than F stops. The lenses received generally positive reviews from users — particularly as they provide a good mix of image quality/construction for the price. They are, however, fully manual lenses, with no auto-focus support or image stabilization built in. But adding teeth to the focusing ring of a lens doesn’t truly, a […]
by Michael Murie on Aug 13, 2015In a move that says a lot about the unrelenting pressure to move to 4K, ARRI has announced that they will release a 4K UHD upgrade for the AMIRA by the end of the year. This upgrade will provide in-camera recording of 3840 x 2160 UHD video at up to 60 fps to CFast cards in ProRes, as well as live uncompressed UHD output through 6G-SDI. For the past year, ARRI has been discouraging the move to 4K, stressing that image quality is more important than the total resolution of the image, and with this announcement they continue this message: […]
by Michael Murie on Aug 27, 2014