Imagining a future in which celebrity worship has become the new world order hardly strains the brain, but first-time filmmaker Brandon Cronenberg’s Antiviral creates this scenario with such casual logic and vivid detail that very little imagination is required to make the leap from current reality to future absurdity. In this world, we no longer want to hear, as a society, that stars are just like us, we want them to be other, god-like. There is also a yearning to be close to them; the ritualistic collection of autographs or buying Kim Kardashian’s used hair dryer on eBay has morphed […]
by Farihah Zaman on Feb 8, 2013Dan Ouellette has had a long career in the New York independent film community, starting with his work as a production designer for Hal Hartley in 1990 with Trust and then, in 1992, with Simple Men. He’s also an accomplished visual artist (examples of which can be seen at his Neurotica Divine site) and has directed stylish music videos for the bands Android Lust and The Birthday Massacre. Dan is also, full disclosure, an old friend who I’ve also worked with professionally many times. (Films he’s production designed that Robin O’Hara and I produced include What Happened Was…, Saving Face, […]
by Scott Macaulay on Oct 10, 2012During the writing of this article, Ray Bradbury, one of the great founding fathers of sci-fi dystopia, passed away. With his seminal book, Fahrenheit 451 (1953), Bradbury gained recognition as an important figure not only in the science fiction community but the literary world in general. Recently, The New Yorker published a touching essay by the author in which he shared the origin of his love for science fiction. It is a beautiful ode to childhood and the discovery of one’s true passion. The essay will prove to future generations that, even in his last days, Bradbury’s ability to move […]
by Byron Camacho on Jun 6, 2012Telling the origin story of the creature that terrified us in Alien over three decades ago, Ridley Scott’s Prometheus is one of this summer’s most hotly anticipated films. But somewhat surprisingly, the origins of the screenplay came as much from a screenwriter’s general meeting as the story material developed for that original movie. At a meeting in the offices of Scott’s production company, Scott Free, screenwriter Jon Spaihts was asked to riff on the possibilities of a film that would revisit the Alien universe. What resulted is Prometheus, with a script credited to Spaihts and Damon Lindelof. Below I ask […]
by Scott Macaulay on Jun 4, 2012The story of Laika, the Soviet dog sent to space with the knowledge that she would not return alive, is one of adventure and sorrow. She was simultaneously the first animal to orbit the earth and the first to die in orbit. One can’t help but anthropomorphize her and everything she must have experienced. Animator Nick Criscuolo has illustrated Laika’s journey in the music video he made for the song “I Can’t Breathe,” by Sharon Van Etten. He explains his own attraction to the Laika tale: “It’s a story that’s close to my heart because I love science; it […]
by Alix Lambert on Apr 21, 2012This is the Hollywood trailer of the moment. I particularly love the music fake-out — starting with the typically ostentatious “epic score” and, after a moment of silence, phasing into something more modern and frightening.
by Scott Macaulay on Mar 18, 2012Although Sundance is predominantly known for indie dramas and social issue documentaries, the New Frontiers section provides a loving home for particularly odd ducks. Unlike many projects in New Frontiers, which are presented as installations or other new media formats, Eve Sussman’s whiteonwhite:algorithmicnoir was screened in a conventional theater. However, the film’s text, 300 bits of voiceover, 150 pieces of music, and 3,000 images are live-edited by an algorithmic computer dubbed the Serendipity Machine that creates a randomized sequence, meaning each screening is entirely unique. Not only does Sussman’s piece turn the idea of the mystery genre on its ear, […]
by Farihah Zaman on Jan 27, 2012Here is a just-posted short science-fiction film, When You Find Me, directed by Bryce Dallas Howard and produced by Ron Howard. It’s short on Canon’s new EOS C300 camera. As Koo notes over at No Film School, the short was inspired by a photograph submitted as part of Canon’s Project Imagination contest.
by Scott Macaulay on Dec 18, 2011On my list of top ten culture for 2011 would be the woozy morning-after soul of the mysterious Canadian vocalist/producer team, The Weeknd. For a song from an album, House of Balloons, in which every other track sounds like the music from the final five minutes of a Miami Vice episode, this science-fiction opus, directed by Mikael Colombu and originally posted by Drake on his site, is not what I would have expected. Dim the lights, go full screen and check it out. (Hat tip: Pitchfork.)
by Scott Macaulay on Nov 26, 2011The trailer is both gorgeous and slightly perplexing — and after Mike Cahill’s Another Earth, seems to be continuing a trend of arthouse psychological planet movies. In truth, I can’t wait for this this new, presumably Cannes-bound pic from Lars Von Trier. Melancholia from Zentropa on Vimeo.
by Scott Macaulay on Apr 8, 2011