Alon Schwarz’s Tantura takes its title from a particular Palestinian village that was depopulated – by any means necessary, including through a still-contested massacre of civilians – during Israel’s 1948 War of Independence (aka “Al Nakba,” the Catastrophe, if you hail from the occupied side). Yet the doc is less a history lesson than a deep-dive investigation into the stories a nation chooses to tell about itself. Schwarz’s (Aida’s Secrets) own story began when he got access to over 100 hours of shockingly candid audiotaped interviews that the (government and academia-silenced) researcher Teddy Katz conducted decades ago with former soldiers […]
by Lauren Wissot on Jan 20, 2022Trophy, directed by longtime photo-journos Shaul Schwarz and Christina Clusiau, has been garnering buzz and sparking debate ever since its Sundance premiere. The film is a meticulously researched look at every possible angle of the “wildlife industry versus conservation” showdown, taking place in some of the most majestic parts of our world. Undeniably riveting, it’s also the only film I’ve seen all year that made my blood boil to the point of tossing all critical objectivity aside. I spoke with the duo, cofounders of Reel Peak Films, which aims to bring the cinematic nonfiction treatment to journalism, prior to the […]
by Lauren Wissot on Sep 8, 2017Shaul Schwarz and Christina Clusiau are the cofounders of Reel Peak Media, a production company that prides itself on documentary work of both “journalistic integrity and cinematic quality.” Both filmmakers began as photojournalists before making the move to documentary cinema. On Trophy, Schwarz and Clusiau served as DPs with Schwarz acting as director. Their film explores the worlds of big game hunting, breeding, and wildlife conservation. Below, the two discuss these issues ahead of Trophy‘s premiere at the 2017 Sundance Film Festival. Filmmaker: How and why did you wind up being the cinematographer of your film? Schwarz and Clusiau: Since we are directors who started as photojournalists, […]
by Filmmaker Staff on Jan 21, 2017A war on drugs, or specifically on the drug cartels that profit from them, a war separate from the 40-year-old campaign waged by the United States (though, of course, intricately tied to it) was declared by the Mexican government in 2006. With over 60,000 known murders in the country directly tied to the drug trade since then, what good is this war doing, one is tempted to ask? The Federal Police and the Mexican military’s joint operation, Michoacan, has proven toothless in its attempt to stop either the flow of dope through Mexico or the violence that surrounds this insatiably […]
by Brandon Harris on Dec 16, 2013